Charlie Christian's 'Profoundly Blue' had a release date set for November 17, 2013. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 38 in the song's album "The Daddy Of 'Em All". In this album, this song's track order is #26. In terms of popularity, Profoundly Blue is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Profoundly Blue by Charlie Christian having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Countless Blues (Take 1) | Lester Young, Kansas City Six | A♭ Major | 0 | 4B | 105 BPM | ||
| Shanghai Shuffle | Fletcher Henderson | D♭ Major | 1 | 3B | 68 BPM | ||
| For Dancers Only | Jimmie Lunceford | D♭ Major | 1 | 3B | 68 BPM | ||
| Nice and Easy Blues | Vic Dickenson | A♭ Major | 4 | 4B | 118 BPM | ||
| Dallas Blues | Woody Herman & His Orchestra | D♭ Major | 4 | 3B | 183 BPM | ||
| Things Ain't Want They Used To Be | Charlie Barnet & His Orchestra | A♭ Major | 2 | 4B | 79 BPM | ||
| Gee Baby, Ain't I Good To You | Sonny Clark | D Major | 1 | 10B | 70 BPM | ||
| Salty Dog | George Lewis | E♭ Major | 4 | 5B | 172 BPM | ||
| Do Nothing Till You Hear From Me | Wynton Kelly | G Major | 1 | 9B | 126 BPM | ||
| You'd Be So Nice To Come Home To - Rudy Van Gelder Edition; 2007 Digital Remaster | Paul Chambers | B♭ Major | 2 | 6B | 170 BPM | ||
| Melancholy - 21/01/1938 | Johnny Dodds, Chicago Boys | C Major | 4 | 8B | 100 BPM | ||
| Drummin' Man | Gene Krupa | E♭ Major | 8 | 5B | 110 BPM | ||
| Chicago | Eddie Condon | E♭ Major | 4 | 5B | 180 BPM | ||
| Come Back, Sweet Papa | Louis Armstrong & His Hot Five | C Major | 3 | 8B | 100 BPM | ||
| Four Or Five Times | Jimmie Lunceford | D♭ Major | 1 | 3B | 68 BPM | ||
| Blowin up Breeze | Hot Lips Page | D♭ Major | 1 | 3B | 68 BPM | ||
| Jumpin' at Capitol | Nat King Cole | F Minor | 4 | 4A | 87 BPM | ||
| A Smo-o-o-oth One (feat. Benny Goodman & Charlie Christian) | Benny Goodman Sextet, Benny Goodman, Charlie Christian | G Minor | 2 | 6A | 124 BPM | ||
| Summit Ridge Drive | Cootie Williams | D♭ Major | 1 | 3B | 68 BPM | ||
| Indigo Stomp - 10/06/1931 | Johnny Dodds | G Major | 1 | 9B | 111 BPM | ||
| Close Shave | John Kirby, Charlie Shavers, Buster Bailey, Russell Procope, Billy Kyle, O'Neill Spencer | E♭ Major | 4 | 5B | 113 BPM | ||
| Mahogany Hall Stomp | King Oliver | C Major | 4 | 8B | 93 BPM | ||
| Potato Head Blues | Johnny Dodds | D Minor | 3 | 7A | 178 BPM | ||
| After You've Gone 1 | Teddy Wilson, Benny Carter | F Minor | 4 | 4A | 123 BPM | ||
| Till Tom Special | Charlie Christian | F Minor | 3 | 4A | 176 BPM |