- BPM
- 110
- Key
- D Minor
- Camelot
- 7A
That's A Plenty by Lew Pollack, Quintetto Inflagranti, Nils Wogram Song Details
Lew Pollack, Quintetto Inflagranti, Nils Wogram's ' "That's A Plenty" was released on its scheduled release date, December 15, 2017. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Sketches Of Brass". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. In terms of popularity, That's A Plenty is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
With That's A Plenty by Lew Pollack, Quintetto Inflagranti, Nils Wogram having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -19.958 dB
- Acousticness
- 99%
- Danceability
- 55%
- Energy
- 18%
- Instrumentalness
- 86%
- Liveness
- 23%
- Loudness
- 67%
- Speechiness
- 5%
- Valence
- 60%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Distorted Reflection: VII. Shadow | Bishara Khell, Amira Ishaq, Bishara Haroni, Carol Ibrahim, Eleni Ghassan Mustaklem, Hikmat Ata Qaymari, Hussein Abu Al-Rob, Jalal Nader Albess, Jude Al Qalawi, Luay Bishara, Mahmoud Karzon, Mahran Moreb, Mohammed Karzon, Muntaser Jabarini, Rashed Za'rour, | B♭ Minor | 6 | 3A | 149 BPM | |
 | Hildegard I | Joseph Warner, Iris Lichtinger | G Major | 2 | 9B | 105 BPM | |
 | Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | G Major | 2 | 9B | 105 BPM | |
 | Yosel Yosel | Giora Feidman, Klezmer Virtuos | G Major | 3 | 9B | 116 BPM | |
 | Seventh Heaven: Diane | Erno Rapee, Lew Pollack, Billy May Orchestra, Billy May | D Minor | 2 | 7A | 120 BPM | |
 | A Jiddische Mame | Jack Yellen, Lew Pollack, Sturm und Drang | G Minor | 2 | 6A | 93 BPM | |
 | 1. Arturo Márquez (1950) La Sinfonía Imposible: Las Peras del Olmo (2022): 4. Sin Retorno (Migración), para Clarinete, Trompeta y Orquesta Sacha Rattle, Clarinete y Pacho Flores, Trompeta - En Vivo | Arturo Márquez, Alondra de la Parra, La Orquesta Imposible | E Minor | 6 | 9A | 157 BPM | |
 | L’amour c’est comme un jour (Arr. for Cello and Orchestra by Martin Ulikhanyan) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | |
 | Schwanengesang, D.957 (Cycle) - Arr. I Salonisti: Ständchen | Franz Schubert, Thomas Füri, I Salonisti, Lorenz Hasler, Ferenc Szedlak, Bela Szedlak, Werner Giger | D Major | 0 | 10B | 89 BPM | |
 | In Chassidic Mood: Suite in Five Movements: I. Andante con moto | Giora Feidman, Markus Poschner, The Safad Chamber Orchestra | B♭ Minor | 0 | 3A | 103 BPM | |
 | Papirossen (Cigarettes) | Giora Feidman, Jeff Israel, Manny Katz, Richard Sarpola, Peter Weitzner, Ali Hafid, Rick Cutler | F Minor | 0 | 4A | 96 BPM | |
 | Hungarian Melody in B minor, D.817 | Franz Schubert, Wendy Waterman | E Minor | 1 | 9A | 126 BPM | |
 | Capriccio No. 5 in La minore, Op. 1 | Gianluca Campi | A Minor | 4 | 8A | 97 BPM | |
 | The Shape of Water | Renaud Capuçon, Les Siècles, Duncan Ward | A Minor | 1 | 8A | 69 BPM | |
 | Carmen Concert Fantasy, Op. 25: III. Lento assai | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | D Major | 1 | 10B | 111 BPM | |
 | Andante for Trumpet (Arr. R. Pontinen) | Håkan Hardenberger, Academy of St. Martin in the Fields, Kenneth Sillito | F Minor | 2 | 4A | 67 BPM | |
 | Concerto for Cello and Orchestra "Never Give Up", Op. 73: III. Song of Hope | Fazıl Say, Camille Thomas, Brussels Philharmonic, Stéphane Denève | A Major | 3 | 11B | 125 BPM | |
 | Valses Carpates | Jens-Uwe Popp, David Orlowsky Trio | D Minor | 2 | 7A | 97 BPM | |
 | Prends-moi matelot - Instrumental from Borsalino & Co | Claude Bolling | G Major | 2 | 9B | 86 BPM | |
 | Miss Annabelle Lee (Arr. for Band) | Lew Pollack, Medevi Brunnsorkester | G Major | 1 | 9B | 94 BPM | |
 | Waits Dance | Florian Dohrmann, David Orlowsky Trio | B Minor | 1 | 10A | 134 BPM | |
 | 4 Ragtime Dances: No. 4, — | Charles Ives, Orchestra New England, James Sinclair | B♭ Major | 4 | 6B | 93 BPM | |
 | Three Duets: I. Prelude from "The Gadfly" | Dmitri Shostakovich, Angela Chun, Jennifer Chun, Nelson Padgett, Konstantin Fortunatov | E Minor | 0 | 9A | 80 BPM | |
 | Ombre sulla Laguna | FPF Project, Francesco Paolo Filosa | G Major | 2 | 9B | 105 BPM | |
 | That's a Plenty | Lew Pollack, Goff Richards, Central Band Of The Royal Air Force, Robert Wiffin | F Major | 4 | 7B | 110 BPM |
- ISRC
- DELJ81766435
- Label
- L-M Records/RCA Records