Luke Temple's ' "In the End" was released on its scheduled release date, April 12, 2005. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Luke Temple's "Hold a Match for a Gasoline World" album is number 3 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, In the End's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of In the End by Luke Temple to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| JBS | Chaz Bundick, The Mattson 2 | E Minor | 7 | 9A | 90 BPM | ||
| Youniverse | Dumbo Gets Mad | D Minor | 6 | 7A | 98 BPM | ||
| Keep on Dreamin | John Andrews & The Yawns | D Major | 2 | 10B | 79 BPM | ||
| Rip City | Rose City Band | G Major | 6 | 9B | 112 BPM | ||
| Come Around | Carla dal Forno | G Minor | 4 | 6A | 94 BPM | ||
| Showrooms | Sam Prekop | A Major | 4 | 11B | 178 BPM | ||
| Satellite | Midnight Sister | A Minor | 5 | 8A | 140 BPM | ||
| Low Light | The Soundcarriers | A Major | 7 | 11B | 82 BPM | ||
| Quite Like You | Andy Shauf | A♭ Major | 4 | 4B | 124 BPM | ||
| Hard Working Hand | Luke Temple | F Minor | 8 | 4A | 161 BPM | ||
| Big Moonlight (Ookii Gekkou) | Vanishing Twin | E Major | 6 | 12B | 85 BPM | ||
| Spring's Near | Parsley Sound | D Major | 4 | 10B | 137 BPM | ||
| The Masterpiece Is Broken | Luke Temple | D Major | 1 | 10B | 112 BPM | ||
| Enter Laughing | Electrelane | E Major | 4 | 12B | 116 BPM | ||
| Ease Yourself and Glide | Parsley Sound | A♭ Major | 5 | 4B | 88 BPM | ||
| Problem Number 6 | Bruno Pernadas | F Major | 9 | 7B | 100 BPM | ||
| Can of Worms | Gold Celeste | F♯ Minor | 7 | 11A | 117 BPM | ||
| Sunever | Chris Cohen | E Minor | 4 | 9A | 98 BPM | ||
| I Just Want to See You Underwater | Here We Go Magic | D Major | 8 | 10B | 129 BPM | ||
| Object Permanence | Jon McKiel | G Minor | 7 | 6A | 209 BPM | ||
| There are too Many Birds | Arthur & Yu | C Major | 5 | 8B | 108 BPM | ||
| Grumpus | Lambchop | A Major | 6 | 11B | 136 BPM | ||
| Take It Home | John Moods | G Major | 3 | 9B | 112 BPM | ||
| So, so Long | Michael Nau | C Major | 3 | 8B | 150 BPM | ||
| Seen My Aura | Helado Negro | G Major | 5 | 9B | 94 BPM |