Ben Webster's ' "You're Getting To Be A Habit With Me" was released on its scheduled release date, January 1, 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 26 in the song's album "The Soul Of Ben Webster". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. You're Getting To Be A Habit With Me is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With You're Getting To Be A Habit With Me by Ben Webster having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Goodbye | Cannonball Adderley | C Minor | 1 | 5A | 111 BPM | ||
| Lazy Afternoon | Joe Henderson | F Minor | 1 | 4A | 53 BPM | ||
| (It Will Have To Do) Until The Real Thing Comes Along - Remastered | Dexter Gordon | B♭ Major | 2 | 6B | 62 BPM | ||
| Whisper Not | Junior Mance | G Minor | 3 | 6A | 126 BPM | ||
| Blue Orchids | Bill Charlap, Frank Wess | C Minor | 0 | 5A | 130 BPM | ||
| Satin Doll | McCoy Tyner | C Major | 2 | 8B | 120 BPM | ||
| Sous Le Ciel De Paris | Jacky Terrasson | F Minor | 1 | 4A | 80 BPM | ||
| Velvet Moon | Tommy Flanagan Trio | A♭ Major | 1 | 4B | 76 BPM | ||
| A Ballad For Doll | Jackie McLean | D Major | 2 | 10B | 177 BPM | ||
| Laura | Don Byas | C Major | 2 | 8B | 66 BPM | ||
| Groove Waltz | McCoy Tyner | F Major | 3 | 7B | 91 BPM | ||
| A Foggy Day | Bill Charlap | D Minor | 1 | 7A | 94 BPM | ||
| Willow Weep For Me | Sonny Criss | G Major | 2 | 9B | 77 BPM | ||
| In Your Own Sweet Way | Phil Woods | A♭ Major | 1 | 4B | 96 BPM | ||
| Your Love Has Faded | Johnny Hodges | C Major | 1 | 8B | 63 BPM | ||
| Blue Skies | Art Tatum | A♭ Major | 1 | 4B | 96 BPM | ||
| The Rose Tattoo | Harry Allen | F Minor | 2 | 4A | 113 BPM | ||
| Little Girl Blue - Instrumental | Red Garland Trio | E♭ Major | 0 | 5B | 89 BPM | ||
| You Don't Know What Love Is | John Coltrane Quartet | F Minor | 2 | 4A | 65 BPM | ||
| Soulville - Digitally Remastered | Ben Webster | D Major | 1 | 10B | 112 BPM | ||
| Ruby, My Dear | Thelonious Monk, John Coltrane | B♭ Major | 1 | 6B | 66 BPM | ||
| 502 Blues (Drinkin' And Drivin') - Rudy Van Gelder Edition/2000 Digital Remaster/24 Bit Mastering | Wayne Shorter | A Minor | 3 | 8A | 126 BPM | ||
| Where Do You Start | Brad Mehldau Trio | D♭ Major | 0 | 3B | 98 BPM | ||
| Someone To Watch Over Me - Alternate Take | Rahsaan Roland Kirk | B♭ Major | 0 | 6B | 117 BPM | ||
| Peace - Instrumental | Tommy Flanagan | C Minor | 1 | 5A | 60 BPM |