On September 6, 1996, the song "Hari Naam Se Meri Yaari Hai" was released by Neena, Rajendra Mehta. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Neena, Rajendra Mehta's "Hari-Leela (Krishna Bhajan)" album is number 3 out of 7. On top of that, India appears to be the country where this track was created. Based on our statistics, Hari Naam Se Meri Yaari Hai's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Hari Naam Se Meri Yaari Hai by Neena, Rajendra Mehta to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Commentry And Interview Anil Biswas And Tore Naina Rasile Katile Haye Ram | Manna Dey, Anil Biswas, Ameen Sayani | A Major | 3 | 11B | 84 BPM | ||
| Bankey Bihari Ji Ki Aarti | Mridul Krishan Shastri | D♭ Major | 2 | 3B | 153 BPM | ||
| Chhatt Chhuti - Tapp Tipi | Narendra Singh Negi, Anuradha Nirala | A♭ Major | 4 | 4B | 179 BPM | ||
| O Bahena | Mohammed Aziz | A Major | 7 | 11B | 88 BPM | ||
| Shayad Main Zindagi Ki Sahar | Jagjit Singh | F Major | 4 | 7B | 93 BPM | ||
| Kal Bhi Man | Manhar Udhas | B♭ Major | 4 | 6B | 156 BPM | ||
| Haar ne Kaaje Nav Mariye | NARAYANSWAMI | F Major | 2 | 7B | 154 BPM | ||
| San Kera Aabe Wo | Gorelal Barman, Ratan Sabiha | F Major | 6 | 7B | 77 BPM | ||
| Shankar Ke Dware Chale Kanwariya | Udit Narayan | A Major | 7 | 11B | 103 BPM | ||
| Shani Chalisa | Shailendra Bharti | E Major | 6 | 12B | 90 BPM | ||
| Jagmag Jyot Ujaari | Lata Mangeshkar | A♭ Major | 4 | 4B | 81 BPM | ||
| Mathe Pe Chamke Chanda | Lakhbir Singh Lakkha | F♯ Major | 6 | 2B | 134 BPM | ||
| Prem Mudit Man Se Kaho | Anuradha Paudwal | E Major | 6 | 12B | 151 BPM | ||
| Jyot Akhand Hai | Sarika Kapoor, Satish Kumar, Akhlaque Waris, Rajesh Gadvi, Rajesh Gadhvi | F♯ Major | 5 | 2B | 173 BPM | ||
| Aa Jaana Tere Bin | Suresh Wadkar, Sadhana Sargam | G Minor | 4 | 6A | 78 BPM | ||
| Sneh pyar ki tujhse Baba | Brahma Kumaris | D♭ Major | 3 | 3B | 122 BPM | ||
| Lamha Lamha - From "Doosri Dulhan" | Kishore Kumar | A♭ Major | 4 | 4B | 133 BPM | ||
| Wo Nahin Mila | Jagjit Singh | E♭ Major | 2 | 5B | 170 BPM | ||
| Koi Kahe Govind Gopal | Mridul Krishan Shastri | A♭ Minor | 7 | 1A | 96 BPM | ||
| Tumhara Pyar Bhulaoon Toh - Duet | Attaullah Khan, Hemlata | C Major | 5 | 8B | 144 BPM | ||
| Har Taraf Ab Yehi Afsane Hain | Manna Dey, Madan Mohan | E Major | 3 | 12B | 91 BPM | ||
| Piya Milan Ko Jana Film - Kapalkundala | Lata Mangeshkar | A♭ Major | 5 | 4B | 128 BPM | ||
| Daagh-e-Dil Hum Ko | Iqbal Bano | E♭ Minor | 5 | 2A | 156 BPM | ||
| Bando Pe Apne Ae Daata | Sonu Nigam, Sadhana Sargam | F♯ Minor | 4 | 11A | 104 BPM | ||
| Suhani Raat Dhal Chuki Na Jaane Tum Kaha - Film-Dulari | Lata Mangeshkar, Naushad | E♭ Major | 1 | 5B | 88 BPM |