Adam Young's 'The Lonely Three' had a release date set for February 1, 2016. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. The Lonely Three's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 12 in Apollo 11 by Adam Young. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. In terms of popularity, The Lonely Three is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Lonely Three by Adam Young is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lost in Supper Woods | Lena Raine | G Minor | 3 | 6A | 160 BPM | ||
| Could've Been | Two Steps from Hell | B Minor | 7 | 10A | 180 BPM | ||
| Sunset Cruiser | Port Blue | A Minor | 4 | 8A | 130 BPM | ||
| Cities of Tomorrow | Chris Tilton | A♭ Major | 3 | 4B | 120 BPM | ||
| Far in the Grassland (Original Video Game Soundtrack) | Paweł Górniak | F♯ Major | 3 | 2B | 140 BPM | ||
| Life as a Flower | Vincent Diamante | D Major | 1 | 10B | 92 BPM | ||
| Smash Hit Theme - Mayhem | Douglas Holmquist | D Major | 5 | 10B | 150 BPM | ||
| Transient | Haywyre | F Minor | 1 | 4A | 79 BPM | ||
| Lost Ship (Battle) | Ben Prunty | D♭ Major | 4 | 3B | 120 BPM | ||
| Aspect Imaginarium | Jim Guthrie, J.J. Ipsen | D♭ Major | 5 | 3B | 90 BPM | ||
| Treetops (Original Video Game Soundtrack) | Paweł Górniak | B Minor | 3 | 10A | 112 BPM | ||
| Kindled Echoes | Martin O'Donnell | A♭ Major | 5 | 4B | 120 BPM | ||
| Hers | The Arcadian Wild | A♭ Major | 2 | 4B | 133 BPM | ||
| Half Castle | Color Therapy | C Major | 6 | 8B | 170 BPM | ||
| Squirrel Photography | Launchable Socks | A♭ Minor | 3 | 1A | 180 BPM | ||
| Whale. Shark. (End Sequence) | A Shell In The Pit | C Major | 6 | 8B | 114 BPM | ||
| Ghosts of the Pacific Northwest | scntfc | G Major | 1 | 9B | 173 BPM | ||
| Fire Forrest | Upright T-Rex Music | B♭ Major | 0 | 6B | 75 BPM | ||
| A Fragile World | Jonathan Geer | C Major | 2 | 8B | 184 BPM | ||
| Uncanny | Jonathan Geer | A♭ Major | 6 | 4B | 86 BPM | ||
| The Wallis Ballade | Vincent Rubinetti | D Major | 1 | 10B | 116 BPM | ||
| Soapstone Visions | Lifeformed, Janice Kwan | C Major | 3 | 8B | 128 BPM | ||
| Ground Zero | Tales of the Forgotten, Bill Hemstapat, Dylan C. Jones | G Major | 4 | 9B | 133 BPM | ||
| Thoughts on Nature | Rhian Sheehan | D♭ Major | 4 | 3B | 77 BPM | ||
| Dome Keeper: Assessor | Cameron Paxton | D Minor | 3 | 7A | 110 BPM |