Lekha Rathnakumar's 'More Expectations' had a release date set for December 31, 1999. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 25 in Authentic India, Vol. 4 by Lekha Rathnakumar. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, More Expectations is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of More Expectations by Lekha Rathnakumar is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thillana Thillana | Lekha Rathnakumar | D♭ Major | 7 | 3B | 110 BPM | ||
| Dil | Qais Essar | A Major | 6 | 11B | 125 BPM | ||
| Krishna Ki Mahima | Subham jossi | A♭ Major | 2 | 4B | 131 BPM | ||
| Jagajjanani - Rathipathi Priya - Adi | Rajhesh Vaidhya | D Minor | 6 | 7A | 92 BPM | ||
| Raga Bhupali - Ustad Amjad Ali Khan | Ustad Amjad Ali Khan | E Minor | 4 | 9A | 97 BPM | ||
| Scarred Surf | Reynard | B♭ Major | 9 | 6B | 110 BPM | ||
| Raga Rageshree (Keyboard) | Abhijit Pohankar | A Major | 7 | 11B | 91 BPM | ||
| Maharaj Eki Sajey Ele | Tejendra Majumdar | C Major | 5 | 8B | 117 BPM | ||
| Kathakali | Lekha Rathnakumar | G Major | 4 | 9B | 106 BPM | ||
| Sensuality Through Instrumental 2 | B. Sivaramakrishna Rao | G Minor | 1 | 6A | 80 BPM | ||
| Brochevarevarurar | A. Kanyakumari | C Major | 5 | 8B | 79 BPM | ||
| Ghumer Bood | Bombay Jayashri | A♭ Major | 0 | 4B | 111 BPM | ||
| Drops Of Hope | Flame Timo, Sensory Meditation, Nina Nalo, Alma Lin, Jasper Whisper | E Major | 1 | 12B | 80 BPM | ||
| Bilak Uzuk (Bracelet) | Sirojiddin Juraev, Salar Nader | B♭ Major | 2 | 6B | 139 BPM | ||
| Raga Maluha Kalyan - Jod | Nikhil Banerjee | D Major | 6 | 10B | 103 BPM | ||
| Tal Pravh and Laggi | Anindo Chatterjee | F♯ Minor | 7 | 11A | 142 BPM | ||
| Raga Shree - Dhamar Taal | Purbayan Chatterjee, Ojas Adhiya | A Major | 9 | 11B | 99 BPM | ||
| Meevalla | E. Gayathri | B Minor | 8 | 10A | 180 BPM | ||
| Kṛiti by Saint Tyāgarāja - Rāgam: Bilaharị | L. Subramaniam, Viji Subramaniam, T. H. Subashchandran, Poovalur V. Srinivasan | B Major | 1 | 1B | 133 BPM | ||
| Bihag | Buddhadev DasGupta | C Major | 4 | 8B | 121 BPM | ||
| Bhajan Vaishnav, Jana to tene kamije | Narsi Mehta, Ismail Sheikh, Linda Shanovitch, Baluji Shrivastav, Sarvar Sabri | B♭ Major | 6 | 6B | 122 BPM | ||
| Ganges | Downing And Mayer | D♭ Major | 4 | 3B | 99 BPM | ||
| Main to Giridhar Ke - Yaman | Pravin Godkhindi, Shabbir, Arun Sukumar, Madhusudan | C Major | 4 | 8B | 95 BPM | ||
| Rajasthan | Maya Nancy | E♭ Major | 3 | 5B | 82 BPM | ||
| Batu Nrutya | Ensemble traditionnel de l'Orissa | D Major | 6 | 10B | 97 BPM |