"Termina-Tricks" by Marco Beltrami had its release date on June 24, 2003. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Termina-Tricks's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Terminator 3: Rise Of The Machines (Original Motion Picture Soundtrack)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. The popularity of Termina-Tricks is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Termina-Tricks by Marco Beltrami having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Family Ties | Marco Beltrami | G Major | 1 | 9B | 64 BPM | ||
| The Light Field | The Prestige | E Major | 1 | 12B | 64 BPM | ||
| The Muybridge Clip | Michael Abels | A Minor | 3 | 8A | 104 BPM | ||
| Ender's Promise | Steve Jablonsky | D Minor | 2 | 7A | 170 BPM | ||
| Ragnarok Suite | Mark Mothersbaugh | D Minor | 4 | 7A | 71 BPM | ||
| Crescent Wrench - Edit | Marco Beltrami, Buck Sanders | D Major | 0 | 10B | 108 BPM | ||
| Borden Meets Sarah | The Prestige | E Minor | 1 | 9A | 74 BPM | ||
| Hotel Mira | Adam Peters | C Major | 1 | 8B | 93 BPM | ||
| Inner Demon | Nick Arundel | D♭ Major | 1 | 3B | 119 BPM | ||
| 21 Days | Alexandre Desplat | F Minor | 0 | 4A | 84 BPM | ||
| Treesome | Buck Sanders, Marco Beltrami | B Major | 1 | 1B | 75 BPM | ||
| Red Eyes | Atli Örvarsson, Kjartan Holm, Sin Fang | B♭ Major | 1 | 6B | 69 BPM | ||
| D-Day | Christophe Beck | D♭ Major | 3 | 3B | 109 BPM | ||
| Welcome to London, Major | Christophe Beck | B♭ Major | 1 | 6B | 80 BPM | ||
| What I Really Wanted | Clinton Shorter | G Major | 1 | 9B | 117 BPM | ||
| Inside the Mines | Alexandre Desplat | B♭ Minor | 2 | 3A | 83 BPM | ||
| Crops Are Dead | Harry Gregson-Williams | F♯ Minor | 0 | 11A | 70 BPM | ||
| Mountain | Khethiwe | D Minor | 7 | 7A | 95 BPM | ||
| Where To? | Mark Mothersbaugh | F Major | 1 | 7B | 95 BPM | ||
| Saving Face | Dominic Lewis | G Major | 1 | 9B | 112 BPM | ||
| Havana to Vienna | Joe Kraemer | A♭ Major | 1 | 4B | 114 BPM | ||
| The Fear | David Arnold, Michael Price | D Minor | 1 | 7A | 98 BPM | ||
| 1917 | Thomas Newman | G Minor | 0 | 6A | 171 BPM | ||
| The Purpose | Atticus Ross | F Minor | 1 | 4A | 90 BPM | ||
| Lightning Strikes | Rupert Gregson-Williams | D Major | 4 | 10B | 94 BPM |