Ruggero Leoncavallo, Westminster Symphonic Choir, Philadelphia Boys Choir, Luciano Pavarotti, Ernesto Gavazzi, Philadelphia Orchestra, Riccardo Muti's 'Pagliacci / Act 1: "Son qua! Ritornano" - Live' had a release date set for January 1, 1993. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ruggero Leoncavallo, Luciano Pavarotti, Daniela Dessi, Juan Pons, Paolo Coni, Ernesto Gavazzi, Philadelphia Orchestra, Riccardo Muti's "Leoncavallo: I Pagliacci" album is number 3 out of 25. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Pagliacci / Act 1: "Son qua! Ritornano" - Live's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci / Act 1: "Son qua! Ritornano" - Live by Ruggero Leoncavallo, Westminster Symphonic Choir, Philadelphia Boys Choir, Luciano Pavarotti, Ernesto Gavazzi, Philadelphia Orchestra, Riccardo Muti to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Donizetti: Don Pasquale, Act 1: "Mi volete fiera?" (Norina, Malatesta) | Gaetano Donizetti, Riccardo Muti, Leo Nucci, Mirella Freni, Philharmonia Orchestra | A♭ Major | 2 | 4B | 130 BPM | ||
| L'ultima canzone (Orch. Faris) | Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D Major | 2 | 10B | 72 BPM | ||
| Bizet: Carmen, WD 31, Act 3: "Elle avait pour amant" (Escamillo, Don José) | Georges Bizet, Michel Plasson, Roberto Alagna, Thomas Hampson, Orchestre National Du Capitole De Toulouse | E♭ Major | 2 | 5B | 104 BPM | ||
| Wagner: Lohengrin, Act 1: "Einsam in trüben Tagen" (Elsa) | Richard Wagner, Herbert von Karajan, Berliner Philharmoniker, Anna Tomowa-Sintow | A♭ Major | 1 | 4B | 81 BPM | ||
| Gounod: Faust, Act 3: Couplets. "Faites-lui mes aveux" (Siebel) | Charles Gounod, Michel Plasson, Martine Mahé, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Don Giovanni K527 (1987 Digital Remaster): Mi tradì quell' alma ingrata | Maria Callas, Orchestre De La Société Des Concerts Du Conservatoire, Nicola Rescigno | E♭ Major | 1 | 5B | 90 BPM | ||
| Gounod: Faust, Act 2: Invocation. "Avant de quitter ces lieux" (Valentin) | Charles Gounod, Michel Plasson, Thomas Hampson, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Norma (Ed. Biondi & Minasi), Act I Scene 1: Va, crudele, al Dio spietato | Vincenzo Bellini, John Osborn, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | A♭ Major | 3 | 4B | 134 BPM | ||
| La Bohème / Act 4: "In un Coupe?....O Mimi, tu piu non torni" | Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 76 BPM | ||
| Carmen, Act II, No.17 Duo (continued...): Non! tu ne m'aimes pas! (Carmen/Don José) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 1 | 8B | 86 BPM | ||
| Tosca, Act II: Orsù, Tosca, parlate | Giacomo Puccini, Sherrill Milnes, Mirella Freni, Luciano Pavarotti, Michel Sénéchal, Paul Hudson, National Philharmonic Orchestra, Nicola Rescigno | G Minor | 2 | 6A | 176 BPM | ||
| Verdi: La traviata, Act 2: "Pura siccome un angelo" (Germont, Violetta) | Giuseppe Verdi, Philharmonia Orchestra, Riccardo Muti, Renata Scotto, Renato Bruson | A♭ Major | 1 | 4B | 85 BPM | ||
| Lohengrin, WWV 75, Act I Scene 3: Durch Gottes Sieg ist jetzt dein Leben mein | Richard Wagner, Siegfried Jerusalem, Kurt Moll, Cheryl Studer, Waltraud Meier, Hartmut Welker, Wiener Staatsopernchor, Peter Burian, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 6 | 6B | 92 BPM | ||
| Lucrezia Borgia / Act 1: Maffio Orsini, signora, son io | Gaetano Donizetti, Marilyn Horne, John Bröcheler, Piero de Palma, Graham Clark, Lieuwe Visser, Giacomo Aragall, National Philharmonic Orchestra, Richard Bonynge | F Minor | 4 | 4A | 103 BPM | ||
| L'elisir d'amore / Act 1: "Andiam, Belcore" | Gaetano Donizetti, Dawn Upshaw, Kathleen Battle, Luciano Pavarotti, Leo Nucci, Metropolitan Opera Chorus, David Stivender, Metropolitan Opera Orchestra, James Levine | E♭ Major | 5 | 5B | 99 BPM | ||
| Carmen, Act I: Scene and Chorus. Sur la place chacun passe | Georges Bizet, Stuart Harling, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers, John McCarthy | E Major | 0 | 12B | 79 BPM | ||
| Saint-Saëns: Samson et Dalila, Act 2: "Samson, recherchant ma présence...Amour! viens aider ma faiblesse!" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | A♭ Major | 2 | 4B | 83 BPM | ||
| Carmen (1997 - Remaster), Act III: Quelques lignes plus bas | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D♭ Major | 2 | 3B | 88 BPM | ||
| La bohème, Act I: Abasso, abbasso l'autor! | Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 85 BPM | ||
| Granada - Live at the Llangollen International Musical Eisteddfod, 1995 | Agustín Lara, Luciano Pavarotti, BBC Philharmonic, Leone Magiera | E♭ Major | 1 | 5B | 80 BPM | ||
| Donizetti: Lucia di Lammermoor, Act 3 Scene 6: "Spargi d'amaro pianto" (Lucia, Raimondo, Enrico, Chorus) | Gaetano Donizetti, Maria Callas, Nicola Zaccaria, Rolando Panerai, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, RIAS Sinfonie-Orchester Berlin, Herbert von Karajan | E♭ Major | 1 | 5B | 101 BPM | ||
| Il barbiere di Siviglia / Act 2: Cessa di più resistere | Gioachino Rossini, Juan Diego Flórez, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | B♭ Major | 2 | 6B | 115 BPM | ||
| Cavalleria rusticana: Mamma, quel vino è generoso - Live at the Llangollen International Musical Eisteddfod, 1995 | Pietro Mascagni, Luciano Pavarotti, BBC Philharmonic, Leone Magiera | D♭ Minor | 3 | 12A | 83 BPM | ||
| L'elisir d'amore / Act 2: "Io già m'immagino" - "Come sen va contento!" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, Spiro Malas, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | F Major | 3 | 7B | 138 BPM | ||
| I puritani, Act I: O amato zio, o mio secondo padre! | Vincenzo Bellini, Dame Joan Sutherland, Nicolai Ghiaurov, London Symphony Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 105 BPM |