Aimee Mann's 'Good for Me' had a release date set for March 31, 2017. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Aimee Mann's "Mental Illness" album is number 7 out of 11. On top of that, United States appears to be the country where this track was created. Good for Me is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Good for Me by Aimee Mann to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sister | Angel Olsen | D Major | 4 | 10B | 101 BPM | ||
| Living The Classics | Aldous Harding | A♭ Major | 2 | 4B | 140 BPM | ||
| Let You Go | Beulahbelle | E Major | 2 | 12B | 145 BPM | ||
| It's Only Love | Heather Nova | D Minor | 5 | 7A | 140 BPM | ||
| Broken | Patrick Watson | G Major | 1 | 9B | 147 BPM | ||
| Wild Fire | Laura Marling | B♭ Major | 5 | 6B | 154 BPM | ||
| Night | Bill Callahan | C Major | 1 | 8B | 121 BPM | ||
| Distant Shore | Karen Elson | A Major | 1 | 11B | 166 BPM | ||
| Hold | Built For The Sea | D Minor | 3 | 7A | 96 BPM | ||
| The Lost Sky | Jesca Hoop | B♭ Minor | 3 | 3A | 135 BPM | ||
| Get up, Get On | Jill Andrews | D♭ Minor | 6 | 12A | 140 BPM | ||
| We Are One | Ana Egge | A Minor | 7 | 8A | 131 BPM | ||
| Windows | Angel Olsen | F♯ Major | 3 | 2B | 126 BPM | ||
| Until We Get There - Acoustic | Lucius | G Major | 2 | 9B | 110 BPM | ||
| Hope It Was Worth It | Galia Arad | C Major | 5 | 8B | 122 BPM | ||
| (I Can't Seem to) Make You Mine | The Clientele | E Major | 4 | 12B | 172 BPM | ||
| Soft Line | Lucy Wainwright Roche | A Major | 2 | 11B | 134 BPM | ||
| Anchors Aweigh | Michael Penn | E♭ Major | 3 | 5B | 166 BPM | ||
| Slip and Roll | Aimee Mann | B Major | 5 | 1B | 114 BPM | ||
| This Is How It Goes | Aimee Mann | D♭ Major | 4 | 3B | 175 BPM | ||
| Under The Wild Skies | lùisa | D Major | 3 | 10B | 100 BPM | ||
| Always This Way | Laura Marling | C Major | 3 | 8B | 156 BPM | ||
| Release Me | Inara George | C Major | 2 | 8B | 102 BPM | ||
| Last Leaves of Autumn | Beth Orton | A Minor | 2 | 8A | 95 BPM | ||
| Top to Toe | Fenne Lily | E♭ Major | 2 | 5B | 177 BPM |