"Enigma Variations, Op. 36: Variation IX. Adagio "Nimrod"" by Edward Elgar, Royal Philharmonic Orchestra, Carl Davis had its release date on December 1, 1997. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 14 in Britannia by Royal Philharmonic Orchestra, Carl Davis. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Enigma Variations, Op. 36: Variation IX. Adagio "Nimrod" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Enigma Variations, Op. 36: Variation IX. Adagio "Nimrod" by Edward Elgar, Royal Philharmonic Orchestra, Carl Davis is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | E♭ Major | 1 | 5B | 70 BPM | ||
| Britannic Salute | The Band of Her Majesty's Royal Marines Commander-in-Chief Fleet | F Major | 4 | 7B | 94 BPM | ||
| Jerusalem | Hubert Parry, Waynflete Singers, Winchester Cathedral Choir, Timothy Byram-Wigfield, Bournemouth Symphony Orchestra, David Hill | D Major | 3 | 10B | 88 BPM | ||
| Battle of Britain Suite: I. Spitfire Music – Battle in the Air | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 4 | 7B | 81 BPM | ||
| Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood | Edvard Grieg, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 0 | 12B | 137 BPM | ||
| Parry: Jerusalem (Arr. Elgar) | Hubert Parry, Andrew Davis, BBC Symphony Orchestra | D Major | 3 | 10B | 77 BPM | ||
| Fantasia on British Sea Songs (excerpts): III. Jack's the Lad | Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel | A Major | 1 | 11B | 145 BPM | ||
| David of the White Rock | The Black Dyke Mills Band | E♭ Major | 2 | 5B | 126 BPM | ||
| Fantasia on British Sea Songs (excerpts): II. Tom Bowling | Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel | C Major | 0 | 8B | 93 BPM | ||
| The Humming Chorus (Madama Butterfly) | Dr. Kathleen McGuire, San Francisco Gay Men's Chorus | B♭ Major | 0 | 6B | 72 BPM | ||
| Canon in D | Johann Pachelbel, Rudolf Baumgartner, Lucerne Festival Strings | D Major | 1 | 10B | 126 BPM | ||
| Kashif: The Queen Symphony: III. Adagio. (Who Wants to Live Forever? - Save Me) [Orch. Kershaw] | Tolga Kashif, Francois Rive, Nicola Loud, Royal Philharmonic Orchestra | E Minor | 1 | 9A | 84 BPM | ||
| Quanta Qualia | Patrick Hawes, VOCES8, Christian Forshaw | E♭ Major | 1 | 5B | 70 BPM | ||
| Myrtle | Debbie Wiseman, National Symphony Orchestra | F Minor | 1 | 4A | 82 BPM | ||
| Eclogue for Piano and Strings, Op. 10 | Gerald Finzi, Peter Donohoe, Royal Northern Sinfonia, Howard Griffiths | F Minor | 1 | 4A | 66 BPM | ||
| Enigma Variations, Op. 36: Theme. Andante | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
| Elgar: Mina | Edward Elgar, Northern Sinfonia Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 85 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Yuja Wang, Boston Symphony Orchestra, Andris Nelsons | F Major | 1 | 7B | 104 BPM | ||
| Song to the moon | Antonín Dvořák, Ophélie Gaillard, Tim Redmond, Royal Philharmonic Orchestra | B♭ Major | 2 | 6B | 79 BPM | ||
| Intermezzo From Cavalleria Rusticana | Pietro Mascagni, Royal Philharmonic Orchestra, Philip Ellis | F Major | 1 | 7B | 86 BPM | ||
| Reflection - From "Mulan" (Feat. Guo Gan) | Lang Lang, Guo Gan, Royal Philharmonic Orchestra, Robert Ziegler | C Major | 1 | 8B | 106 BPM | ||
| Mors et Vita: Judex | Charles Gounod, Richard Hickox Orchestra, Richard Hickox | C Minor | 1 | 5A | 95 BPM | ||
| Licence To Kill - From 'Licence To Kill' | Royal Philharmonic Orchestra | F Minor | 1 | 4A | 140 BPM | ||
| Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
| The Dambusters March | Central Band Of The Royal Air Force | C Major | 2 | 8B | 133 BPM |