"The Truman Show: Truman Sleeps - Short Version" by Philip Glass, Valentina Lisitsa had its release date on March 2, 2015. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. The Truman Show: Truman Sleeps - Short Version's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Valentina Lisitsa Plays Philip Glass by Philip Glass, Valentina Lisitsa. The song's track number on the album is #2 out of 24 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, The Truman Show: Truman Sleeps - Short Version is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Truman Show: Truman Sleeps - Short Version by Philip Glass, Valentina Lisitsa has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Truman Show: Truman Sleeps - Short Version being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Melodie | Valentina Lisitsa | D Minor | 0 | 7A | 110 BPM | ||
| Générique de fin | Gabriel Yared | D Major | 1 | 10B | 173 BPM | ||
| The Diary Of Anne Frank: If | Michael Nyman, Valentina Lisitsa | F Major | 0 | 7B | 74 BPM | ||
| Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
| A Little Book of Hours: VI. Singing Sun | Peter Sculthorpe, Elena Riu | B♭ Major | 0 | 6B | 79 BPM | ||
| intro | Gabríel Ólafs | G Major | 8 | 9B | 132 BPM | ||
| Ich ruf zu dir, Herr Jesu Christ, No. 5, BWV 639 | Johann Sebastian Bach, Murray Perahia | F♯ Major | 0 | 2B | 69 BPM | ||
| Les Barricades Mystérieuses | François Couperin, Khatia Buniatishvili | B♭ Major | 0 | 6B | 149 BPM | ||
| String Quartet No. 3 "Mishima": II. November 25: Ichigaya | Philip Glass, Carducci String Quartet | F♯ Major | 0 | 2B | 86 BPM | ||
| Gnossiennes: No. 1, Lent | Erik Satie, Klara Kormendi | C Major | 1 | 8B | 99 BPM | ||
| Suite Bergamasque, L. 75: III. Clair de lune | Claude Debussy, Khatia Buniatishvili | D♭ Major | 0 | 3B | 71 BPM | ||
| Glassworks: Opening | Philip Glass, Valentina Lisitsa | C Minor | 0 | 5A | 78 BPM | ||
| Bach, JS: Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, David Fray | G Major | 0 | 9B | 76 BPM | ||
| Lieder ohne Worte, Op. 19b: Lieder ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" [Venetian Gondola Song] | Felix Mendelssohn, Péter Nagy | G Major | 0 | 9B | 101 BPM | ||
| Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
| Orphée - Arr. for Piano duet / Act 1: III. La chambre d'Orphée | Philip Glass, Katia Labèque, Marielle Labèque | F Minor | 0 | 4A | 137 BPM | ||
| 24 Preludes and Fugues, Op. 87: Fugue No. 7 in A Major | Dmitri Shostakovich, Igor Levit | A Major | 0 | 11B | 97 BPM | ||
| Satie: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Bertrand Chamayou | G Minor | 0 | 6A | 170 BPM | ||
| Minuet in G Minor, HWV 434 No. 4 (Transc. W. Kempff) | George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 66 BPM | ||
| The Pier (from "Never Let Me Go", Arr. for Piano & Cello) | Rachel Portman, Raphaela Gromes | E Minor | 1 | 9A | 84 BPM | ||
| 7 Peces de joventut (Youthful Pieces): Record | Manuel Blancafort, Miquel Villalba | F♯ Minor | 0 | 11A | 138 BPM | ||
| Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
| Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Emmanuelle Bertrand, Pascal Amoyel | B♭ Major | 0 | 6B | 89 BPM | ||
| Evening Song No. 2 | Philip Glass, Timo Andres | F Major | 1 | 7B | 130 BPM | ||
| Wishing | Alexis Ffrench | E♭ Major | 1 | 5B | 73 BPM |