Shahnaz, Shabbir Kumar's ' "Aaja Re Aaja (Sad)" was released on its scheduled release date, December 30, 1984. This song is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The track order of this song in Manohar Rai's "Geet Mere Pyaar Ka" album is number 6 out of 6. On top of that, India appears to be the country where this track was created. Based on our statistics, Aaja Re Aaja (Sad)'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Aaja Re Aaja (Sad) by Shahnaz, Shabbir Kumar to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hare Krishna Vol 2 Part 5 - Original | Bitu Samajpati, NA | G Major | 7 | 9B | 95 BPM | ||
| Bhakton Ke Raja Shyam More | Kumar Vishu | D♭ Minor | 8 | 12A | 110 BPM | ||
| Goswami Tulsidas Hanuman Bahuk Vol 3 | Satish Dehra | D Major | 7 | 10B | 102 BPM | ||
| Aaya Hai Balaji Dar Dukhiyara | Ramkumar Lakha, Kumar Vishu, Rakesh Kala, Narender Kaushik | A Major | 5 | 11B | 142 BPM | ||
| Muskaye Ke Mero Man | Vinod Agarwal | A♭ Major | 6 | 4B | 127 BPM | ||
| Hamko hamare Baba se pyara mantra mila | Brahma Kumaris | B♭ Minor | 4 | 3A | 145 BPM | ||
| Ogo Pordeshi | Polash, Shahnaz | F♯ Minor | 10 | 11A | 125 BPM | ||
| Hore Hore Tu Vitthala - Sant Dyaneshvar | Suresh Wadkar | F♯ Major | 5 | 2B | 166 BPM | ||
| Mann Ke Panchhi Pe | Madan Rai | A♭ Major | 6 | 4B | 144 BPM | ||
| Satya hi Shiv hai | Brahma Kumaris | E Major | 5 | 12B | 142 BPM | ||
| Ghat Ma Giridhari Ne Man Ma Morari | Nidhi Dholakia | A Minor | 4 | 8A | 90 BPM | ||
| Anjaneya Gatiyu Neene | Sri Ganapathy Sachchidananda Swamiji | F♯ Major | 7 | 2B | 88 BPM | ||
| Munisubrat Ki Aarti | Rajendra Jain | G Major | 7 | 9B | 78 BPM | ||
| Elou Sharan Me | Poonam Mishra | E♭ Major | 7 | 5B | 130 BPM | ||
| Hum Nahin Aaaju Rahab Aehi Aangan | Devi | B♭ Major | 6 | 6B | 110 BPM | ||
| Dibanishi Bhabo Re Mon | Indranil Dutta | D Major | 4 | 10B | 180 BPM | ||
| Aay Pokhar Me Uthlai Ujahi - Maithili | Dilip Darbhangiya | A♭ Major | 10 | 4B | 126 BPM | ||
| Piya More Banle Kheveeya | Devi | F Major | 4 | 7B | 110 BPM | ||
| Satguru Ne Sath Nibhaya | Raju Bumugade, Raju Gopi Dilvar | E♭ Minor | 4 | 2A | 132 BPM | ||
| SHIVPUR MA BASRI | Dinesh Bashinge | B♭ Major | 7 | 6B | 145 BPM | ||
| Mon Tomar Ei Bhram Gelo Na | Bibhabendu Bhattacharya | B Major | 5 | 1B | 160 BPM | ||
| Itni Shakti Mujhe Do | Dheera Ghosh | F♯ Major | 2 | 2B | 125 BPM | ||
| Om Jai Mahaveer Prabho | Rajendra Jain | G Major | 6 | 9B | 90 BPM | ||
| Kaate Kasht Poore Gurdev | Bhai Harpreet Singh ji nawanshahr wale | B Minor | 8 | 10A | 138 BPM | ||
| Ta Da Raqeeb Pa Yao Khabara | Zarshad Ali, Shahnaz | B Minor | 6 | 10A | 114 BPM |