- BPM
- 140
- Key
- E Major
- Camelot
- 12B
Fauré: Dolly, Op. 56: I. Berceuse by Gabriel Fauré, Jean-Philippe Collard, Bruno Rigutto Song Details
"Fauré: Dolly, Op. 56: I. Berceuse" by Gabriel Fauré, Jean-Philippe Collard, Bruno Rigutto had its release date on 1985. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Fauré: Dolly, Op. 56: I. Berceuse's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 41 in Fauré: Barcarolles, Impromptus, Valses-caprices, Romances sans paroles, Dolly, Souvenir de Bayreuth... by Gabriel Fauré, Jean-Philippe Collard. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Fauré: Dolly, Op. 56: I. Berceuse's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
The tempo marking of Fauré: Dolly, Op. 56: I. Berceuse by Gabriel Fauré, Jean-Philippe Collard, Bruno Rigutto is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
Music Key
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 16%
- Loudness
- -21.849 dB
- Acousticness
- 99%
- Danceability
- 42%
- Energy
- 7%
- Instrumentalness
- 89%
- Liveness
- 8%
- Loudness
- 64%
- Speechiness
- 5%
- Valence
- 12%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 10 Preludes, Op. 23: No. 10 in G-Flat Major (Largo) | Sergei Rachmaninoff, Vladimir Ashkenazy | E Minor | 0 | 9A | 78 BPM | |
 | Bagatelles I-XIII: Bagatelle III | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 94 BPM | |
 | Pavane Pour Une Infante Defunte, M.19 (Arr. for Oboe & Orchestra) | Maurice Ravel, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | F♯ Minor | 1 | 11A | 88 BPM | |
 | Massenet: La Vierge, Pt. 4: Le dernier sommeil de la Vierge | Jules Massenet, John Eliot Gardiner, Orchestre National de l'Opéra de Monte-Carlo | A Minor | 5 | 8A | 95 BPM | |
 | Pavane, Op. 50 | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | F♯ Minor | 0 | 11A | 136 BPM | |
 | Holberg Suite, opus 40:Sarabande (Andante) | Academy of St. Martin in the Fields | G Major | 1 | 9B | 134 BPM | |
 | Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 0 | 9A | 85 BPM | |
 | Adagio in D Minor, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 0 | 7A | 65 BPM | |
 | Le Carnaval des Animaux, R. 125: Le Cygne | Camille Saint-Saëns, Jascha Silberstein, Marie Goossens | G Major | 0 | 9B | 110 BPM | |
 | Lieder ohne Worte, Op.19: No. 6 in G minor (Andante sostenuto) "Venetian Gondola Song" | Felix Mendelssohn, Ilse von Alpenheim | F♯ Minor | 1 | 11A | 93 BPM | |
 | Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | |
 | Sheep May Safely Graze | Johann Sebastian Bach, Leon Fleisher | B♭ Major | 0 | 6B | 98 BPM | |
 | Aufforderung zum Tanz, Op. 65 (Orch. Berlioz) | Carl Maria von Weber, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 122 BPM | |
 | Rhapsody on a Theme by Paganini, Op. 43: Variation 18. Andante cantabile | Sergei Rachmaninoff, Bella Davidovich, Royal Concertgebouw Orchestra, Neeme Järvi | D♭ Major | 1 | 3B | 70 BPM | |
 | Lyric Pieces Book V, Op. 54: No. 4 Notturno | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | |
 | 6 Moments musicaux, Op. 94, D. 780: II. Andantino, A-Flat Major | Franz Schubert, Jenő Jandó | C Major | 2 | 8B | 79 BPM | |
 | Pelléas et Mélisande, Op. 80, Suite: I. Prélude | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 134 BPM | |
 | 3 romances sans paroles, Op. 17: No. 3 in A-Flat Major | Gabriel Fauré, Nicolas Stavy | A♭ Major | 0 | 4B | 69 BPM | |
 | Rêverie, L. 68 | Claude Debussy, Axel Gillison | C Major | 0 | 8B | 67 BPM | |
 | 16 Waltzes, Op. 39: Waltz in A-Flat Major, Op. 39, No. 15 | Johannes Brahms, Balazs Szokolay | A♭ Major | 1 | 4B | 139 BPM | |
 | Mozart: Piano Sonata No. 11 in A Major, Op. 6 No. 2, K. 331 "Alla Turca": I. Tema con variazioni (Excerpt) | Wolfgang Amadeus Mozart, Andrei Gavrilov | A Major | 0 | 11B | 122 BPM | |
 | String Quartet No. 1 | Pyotr Ilyich Tchaikovsky, Shostakovich Quartet | F Major | 1 | 7B | 105 BPM | |
 | Orfeo ed Euridice (Orphée et Eurydice) - Arranged Sgambati: Dance of the Blessed Spirits (Mélodie) | Christoph Willibald Gluck, Jean-Yves Thibaudet | D♭ Minor | 0 | 12A | 128 BPM | |
 | Waldszenen, Op. 82: No. 3, Einsame Blumen | Robert Schumann, Martin Helmchen | B♭ Major | 0 | 6B | 80 BPM | |
 | Albéniz: España, Op. 165: II. Tango (Andantino) | Isaac Albéniz, Leif Ove Andsnes | D Major | 0 | 10B | 66 BPM |
- ISRC
- FRZ118200890
- Label
- L-M Records/RCA Records