"Postcards: V. Venice" by Robert Erickson, Carol Plantamura, Jürgen Hübscher had its release date on January 1, 1991. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Robert Erickson, Various Artists's "Music of Robert Erickson" album is number 7 out of 11. Postcards: V. Venice is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Postcards: V. Venice by Robert Erickson, Carol Plantamura, Jürgen Hübscher to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Interlude | Brian Sipprell | D Major | 4 | 10B | 80 BPM | ||
| Segments IV | OG BREZZY | C Minor | 0 | 5A | 69 BPM | ||
| Stories Without Words | Robert Erickson | B Major | 3 | 1B | 123 BPM | ||
| Binaural Bliss: The Ultimate Sound Therapy | Sinta Positivo | A♭ Major | 0 | 4B | 73 BPM | ||
| High Flyer | Robert Erickson, Jayn Rosenfeld | C Major | 0 | 8B | 118 BPM | ||
| Rothko Chapel 2 | Morton Feldman | B Minor | 0 | 10A | 141 BPM | ||
| Postcards: I. Prelude | Robert Erickson, Jürgen Hübscher, Carol Plantamura | A Major | 0 | 11B | 96 BPM | ||
| First Thing | HITOSHI TABATAKI | C Minor | 2 | 5A | 84 BPM | ||
| Talking Corpse | Patrick Kirst | E Minor | 3 | 9A | 120 BPM | ||
| The Planets | Otro | D♭ Minor | 1 | 12A | 87 BPM | ||
| Duo: I. | Robert Erickson, Camera Lucida | D♭ Minor | 0 | 12A | 77 BPM | ||
| Gourou | CHLOE (Thévenin) | C Major | 2 | 8B | 120 BPM | ||
| 2 Songs: No. 1, Days and Nights | Robert Erickson, Ellen Lang, David Krakauer, Mia Wu, Joel Sachs | C Major | 0 | 8B | 111 BPM | ||
| Warren Suite VIII. Ancestry | Angus MacRae | D♭ Minor | 1 | 12A | 87 BPM | ||
| Hope Still Sings | AKRIANE | E Minor | 0 | 9A | 65 BPM | ||
| Postcards: II. Stockholm | Robert Erickson, Jürgen Hübscher, Carol Plantamura | E Major | 0 | 12B | 86 BPM | ||
| EMBODY IT | Anica Popovic | D♭ Minor | 1 | 12A | 87 BPM | ||
| Rex | Kwiecen | G Major | 1 | 9B | 128 BPM | ||
| Coffee Grains | Baby Cello | C Major | 1 | 8B | 78 BPM | ||
| Mezzo | Zeno Gabaglio | D♭ Major | 1 | 3B | 142 BPM | ||
| Fear of the dark | Martien van der Knijff | B♭ Major | 3 | 6B | 105 BPM | ||
| Neverland | Eddy Melton, Eddie Melton | E Minor | 1 | 9A | 75 BPM | ||
| Lux aeterna | György Ligeti, Schola Heidelberg, Walter Nußbaum | E♭ Major | 0 | 5B | 79 BPM | ||
| Freer | The Magic Of Reality | C Major | 1 | 8B | 120 BPM | ||
| Funk Era Goated | PlannedX | C Major | 4 | 8B | 58 BPM |