Pralahad Shinde's ' "Darshan De Re Bhaghvanta" was released on its scheduled release date, February 5, 1997. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Darshan De Re Bhaghvanta's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Paule Chalati Pandharichi Vaat". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. Based on our statistics, Darshan De Re Bhaghvanta's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Darshan De Re Bhaghvanta by Pralahad Shinde having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jejurichya Khanderaya | Ajay-Atul, Ramanand Ugale | A♭ Major | 9 | 4B | 125 BPM | ||
| Sang Sakhya Re | Sandeep Khare, Salil Kulkarni | F♯ Major | 2 | 2B | 90 BPM | ||
| Kadhi Sanjveli | Milind Ingle | F♯ Major | 6 | 2B | 132 BPM | ||
| Gondhal | Ajay Gogavale | D♭ Major | 6 | 3B | 120 BPM | ||
| Swami | Brahmaa, Avadhoot Gandhi | F Major | 6 | 7B | 90 BPM | ||
| Parvatichya Bala | Ssuryakant Shinde | G Major | 7 | 9B | 100 BPM | ||
| Palkhi Nighali Rajachi | Sanjay Sawant | E Major | 7 | 12B | 95 BPM | ||
| Dashratha Ghe He Payasdan | Sudhir Phadke | D Major | 4 | 10B | 108 BPM | ||
| Bhimrupi Maharudra Maruti Stotra | Sanskar Bhakti | E♭ Major | 5 | 5B | 114 BPM | ||
| Vitthal Bhaktigeet - Awaghe Garaje Pandharpur | Swapnil Bandodkar | E♭ Minor | 7 | 2A | 111 BPM | ||
| Aabhalmaya | Devaki Pandit, Ashok Patki | F♯ Minor | 3 | 11A | 106 BPM | ||
| Amrutachi Godi Tuzya Bhajanat | Suryakant Shinde | F♯ Minor | 9 | 11A | 86 BPM | ||
| Vithal Namachi Shala Bharli | Bela Shende | D Minor | 6 | 7A | 104 BPM | ||
| Tumhi Sant Maaybaap | Suresh Wadkar | F♯ Major | 5 | 2B | 107 BPM | ||
| Vyarth He Sarech Taho | Sandeep Khare, Salil Kulkarni | F Major | 6 | 7B | 90 BPM | ||
| Taal Bole Chipalila | Mahesh Hiremath, Shubhangi Joshi | A♭ Major | 6 | 4B | 188 BPM | ||
| Kshanbhar Ughad Nyan Deva | Manik Varma | E♭ Major | 6 | 5B | 77 BPM | ||
| Vallav Re Nakhwa | Arpita Chakraborty | B♭ Major | 4 | 6B | 114 BPM | ||
| He Bholya Shankara | Saraswati Tai, Nagnath Patil | E♭ Minor | 8 | 2A | 104 BPM | ||
| Kanada Raja Pandharicha | Mahesh Kale | D Minor | 8 | 7A | 115 BPM | ||
| Marmabandhatli Thev Hi | Bharat Balvalli | F Major | 5 | 7B | 178 BPM | ||
| Jay Jay Ram Krishn Hari | Baba Maharaj Satarkar | D Major | 4 | 10B | 119 BPM | ||
| Ganpati Raya Padte Mi Paya | Shakuntala Jadhav | E♭ Minor | 7 | 2A | 74 BPM | ||
| Nadatun Nad Nirmita | Mandar Apte | A♭ Major | 4 | 4B | 156 BPM | ||
| Amba Zal Motha Motha | Pralahad Shinde | B♭ Major | 7 | 6B | 128 BPM |