"The Ex Is Back" by Hans Zimmer had its release date on 1991. With This song being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 28 in Backdraft (Original Music From the Motion Picture Soundtrack) by Hans Zimmer. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Ex Is Back is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Ex Is Back by Hans Zimmer is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rust | Hans Zimmer, David Fleming | D Minor | 3 | 7A | 101 BPM | ||
| Andante Espressivo - String Orchestra - "Number One Boy" | Nicholas Britell | F Minor | 2 | 4A | 118 BPM | ||
| The Rock Suite | Nick Glennie-Smith, Hans Zimmer, Rusanda Panfili, Nairobi Chamber Choir, Odessa Orchestra & Friends, Gavin Greenaway | D Minor | 6 | 7A | 98 BPM | ||
| Centurion | Ilan Eshkeri | D♭ Minor | 1 | 12A | 86 BPM | ||
| TVA First View | Natalie Holt | C Major | 3 | 8B | 83 BPM | ||
| 47 Ronin | Ilan Eshkeri | G Major | 4 | 9B | 130 BPM | ||
| The Candlelight Vigil | Jóhann Jóhannsson | B♭ Major | 1 | 6B | 75 BPM | ||
| Revenge | Daniel Pemberton | C Minor | 2 | 5A | 77 BPM | ||
| Why Do We Fall? | Hans Zimmer | D Minor | 4 | 7A | 103 BPM | ||
| Prawnkus | Clinton Shorter | A♭ Major | 1 | 4B | 130 BPM | ||
| Kitty Comes To Testify | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| Farewell to Dobby | Alexandre Desplat | D♭ Major | 1 | 3B | 82 BPM | ||
| Bumblebee | Steve Jablonsky | D Minor | 2 | 7A | 152 BPM | ||
| The Friends | Nicholas Hooper | C Major | 1 | 8B | 74 BPM | ||
| The Scholar's Mate | Carlos Rafael Rivera | C Major | 3 | 8B | 136 BPM | ||
| Demise of a Nation | Secession Studios | C Minor | 4 | 5A | 80 BPM | ||
| The Mission Begins - Instrumental | Michael Kamen, London Metropolitan Orchestra | D Major | 2 | 10B | 86 BPM | ||
| Meeting Kitty | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| Dune Part Two - Trailer 3 Music (Epic Version) | Mathias Fritsche | D Major | 6 | 10B | 120 BPM | ||
| Cloud Atlas End Title | Tom Tykwer, Johnny Klimek, Reinhold Heil, Kristjan Järvi, MDR Leipzig Radio Symphony Orchestra | C Major | 2 | 8B | 165 BPM | ||
| Can You See Jane? | Patrick Doyle | E♭ Major | 1 | 5B | 65 BPM | ||
| Now You See Me | Brian Tyler | D♭ Major | 5 | 3B | 101 BPM | ||
| Jack's Dream | M83, Joseph Trapanese | A♭ Major | 0 | 4B | 74 BPM | ||
| Sorrow | Lisa Gerrard, Klaus Badelt, Gavin Greenaway, The Lyndhurst Orchestra | A♭ Major | 1 | 4B | 85 BPM | ||
| StarWaves | M83, Anthony Gonzalez, Joseph Trapanese | A♭ Major | 2 | 4B | 99 BPM |