The Rite of Spring (1913 Version): The Sacrifice, Part II: Ritual of the Ancients by Igor Stravinsky, Leonard Bernstein, New York Philharmonic Song Details

"The Rite of Spring (1913 Version): The Sacrifice, Part II: Ritual of the Ancients" by Igor Stravinsky, Leonard Bernstein, New York Philharmonic had its release date on 1947. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 102 in Bernstein Conducts Stravinsky by Igor Stravinsky, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Rite of Spring (1913 Version): The Sacrifice, Part II: Ritual of the Ancients's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of The Rite of Spring (1913 Version): The Sacrifice, Part II: Ritual of the Ancients by Igor Stravinsky, Leonard Bernstein, New York Philharmonic is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

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Popularity: 0%
Loudness: -20.784 dB
Acousticness: 79%
Danceability: 28%
Energy: 6%
Instrumentalness: 67%
Liveness: 28%
Loudness: 65%
Speechiness: 4%
Valence: 13%

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Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen	Gustav Mahler, Leonard Bernstein, New York Philharmonic	A♭ Major	0	4B	72 BPM
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Rachmaninov: Symphony No. 3 in A Minor, Op. 44: I. Lento - Allegro moderato - Allegro	Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra	F Major	1	7B	72 BPM
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Quatuor pour la fin du Temps: IV. Intermède	Olivier Messiaen, Martin Fröst	F♯ Major	2	2B	96 BPM
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Violin Concerto, Op. 36: I. Poco Allegro	Arnold Schoenberg, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen	A Minor	2	8A	82 BPM
Eine Alpensinfonie, Op. 64, TrV 233: I. Nacht	Richard Strauss, Berliner Philharmoniker, Seiji Ozawa	F Major	0	7B	83 BPM
Japanese Suite, Op. 33, H. 126: VI. Finale. Dance of the Wolves	Gustav Holst, Ulster Orchestra, Joann Falletta	C Minor	3	5A	103 BPM
Symphony in F Major, Op. 8, H. 47 "The Cotswolds": I. Allegro con brio	Gustav Holst, Ulster Orchestra, Joann Falletta	C Minor	3	5A	103 BPM
Chamber Symphony No. 5 in A-Flat Major, Op. 118a: III. Adagio	Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal	A Minor	0	8A	86 BPM
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester	C Major	1	8B	96 BPM
Copland: Symphony No. 3: I. Molto moderato, with simple expression	Aaron Copland, San Francisco Symphony, Michael Tilson Thomas	A Major	1	11B	82 BPM
Walton: Cello Concerto: II. Allegro appassionato	William Walton, Gautier Capuçon, Antonio Pappano, London Symphony Orchestra	D Major	3	10B	133 BPM
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Printemps, L. 61: I. Très modéré	Claude Debussy, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra	B Major	0	1B	88 BPM
Quatuor pour la fin du Temps: I. Liturgie de cristal	Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen	F Minor	0	4A	100 BPM