"Inglaterra" by Pascal Gaigne had its release date on October 22, 2017. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Inglaterra's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pascal Gaigne's "Handia (Original Motion Picture Soundtrack)" album is number 12 out of 23. On top of that, Spain appears to be the country where this track was created. Based on our statistics, Inglaterra's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Inglaterra by Pascal Gaigne to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don Beltrán | Federico Jusid, Orquesta Sinfónica de Budapest Eastconnection | E Minor | 2 | 9A | 127 BPM | ||
| David Melrose Theme | Hauschka | D Minor | 0 | 7A | 148 BPM | ||
| The Promise | Debbie Wiseman | D Minor | 0 | 7A | 77 BPM | ||
| Fases Nuevas | Nimetas | G Minor | 3 | 6A | 77 BPM | ||
| Amar: Castells | Armand Amar, The City of Prague Philharmonic Orchestra | B♭ Minor | 2 | 3A | 152 BPM | ||
| Mathilda | Sharon Farber | D Minor | 2 | 7A | 81 BPM | ||
| The Ghost Pavane | Christopher Young | F Minor | 0 | 4A | 109 BPM | ||
| N'attrape pas froid | Laurent Aknin | A Minor | 2 | 8A | 73 BPM | ||
| Engen | Danmarks Radios Underholdningsorkester, Per Walter | A Minor | 1 | 8A | 59 BPM | ||
| Still Life | Elliot Goldenthal | G Minor | 0 | 6A | 74 BPM | ||
| Una Vez Más | Solisterrae Orchestra, Pascal Gaigne | C Minor | 1 | 5A | 86 BPM | ||
| Maximilian's Masterplan | Pieter de Graaf | B Minor | 4 | 10A | 162 BPM | ||
| Sueño Del Pintor | Pascal Gaigne | F Minor | 2 | 4A | 174 BPM | ||
| Epiloog Bankier van het Verzet | Merlijn Snitker | D Minor | 2 | 7A | 80 BPM | ||
| Brideshead Revisited: No. 24, Always Summer | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| Maxime | Carlos Hof | F♯ Minor | 3 | 11A | 136 BPM | ||
| Souls | Pascal Gaigne | A Minor | 2 | 8A | 119 BPM | ||
| Non ci torno | Andrea Guerra | B Minor | 0 | 10A | 87 BPM | ||
| Paul et Valérie | Laurent Aknin | G Major | 3 | 9B | 92 BPM | ||
| L'Italie | Grégoire Hetzel | C Minor | 2 | 5A | 92 BPM | ||
| Gnossienne No. 1 (From "The Painted Veil") | Erik Satie, London Music Works | F Minor | 0 | 4A | 64 BPM | ||
| Crossing Over | Orchestra Nocturna | E Minor | 2 | 9A | 115 BPM | ||
| The Endless River | Anne Dudley | D♭ Minor | 2 | 12A | 79 BPM | ||
| Madrid | Pascal Gaigne | G Minor | 1 | 6A | 80 BPM | ||
| Hovern' engan | Lévon Minassian | G Minor | 1 | 6A | 71 BPM |