Trace Adkins's 'Every Light In The House' had a release date set for January 1, 1996. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Every Light In The House's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 10 in Dreamin' Out Loud by Trace Adkins. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Every Light In The House's popularity is fairly popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Every Light In The House by Trace Adkins is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Good Run of Bad Luck | Clint Black | A Major | 7 | 11B | 80 BPM | ||
| Vidalia | Sammy Kershaw | E Major | 6 | 12B | 133 BPM | ||
| Hell Yeah | Montgomery Gentry | C Major | 9 | 8B | 174 BPM | ||
| Goin' Through The Big D | Mark Chesnutt | B♭ Major | 9 | 6B | 174 BPM | ||
| Drinkin' Me Lonely | Chris Young | G Major | 4 | 9B | 82 BPM | ||
| How Do You Like Me Now?! | Toby Keith | C Major | 7 | 8B | 110 BPM | ||
| I See It Now | Tracy Lawrence | F Major | 6 | 7B | 92 BPM | ||
| Lonely and Gone | Montgomery Gentry | E Major | 7 | 12B | 164 BPM | ||
| Brown Chicken Brown Cow | Trace Adkins | G Minor | 9 | 6A | 172 BPM | ||
| Love Lessons | Tracy Byrd | E Major | 4 | 12B | 86 BPM | ||
| Honky Tonk Badonkadonk | Trace Adkins | D Major | 9 | 10B | 115 BPM | ||
| What Might Have Been | Little Texas | G Major | 2 | 9B | 131 BPM | ||
| It Must Be Love - Single Version | Ty Herndon | E Major | 8 | 12B | 116 BPM | ||
| What Kind Of Fool Do You Think I Am | Lee Roy Parnell | G Major | 6 | 9B | 112 BPM | ||
| Come A Little Closer | Dierks Bentley | F Major | 6 | 7B | 80 BPM | ||
| Forty Hour Week (For a Livin') | Alabama | E Major | 3 | 12B | 85 BPM | ||
| One More Last Chance | Vince Gill | D Major | 9 | 10B | 176 BPM | ||
| When You Say Nothing at All | Keith Whitley | E♭ Major | 3 | 5B | 80 BPM | ||
| Don't Laugh At Me | Mark Wills | F Major | 4 | 7B | 178 BPM | ||
| Love Of My Life | Sammy Kershaw | B♭ Major | 3 | 6B | 141 BPM | ||
| If I Could Make a Living | Clay Walker | F Major | 8 | 7B | 156 BPM | ||
| Just Fishin' | Trace Adkins | B Major | 7 | 1B | 86 BPM | ||
| Kentucky Bluebird | Keith Whitley | E Major | 5 | 12B | 81 BPM | ||
| She Used to Be Mine | Brooks & Dunn | G Major | 4 | 9B | 172 BPM | ||
| Red Dirt Road | Brooks & Dunn | F Major | 9 | 7B | 136 BPM |