"Residual" by Mick Gordon had its release date on September 28, 2016. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 31 in Doom (Original Game Soundtrack) by Mick Gordon. The popularity of Residual is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Residual by Mick Gordon is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maligog | Jesse Zuretti, Austin Blau | B Major | 8 | 1B | 170 BPM | ||
| Robot Ghost Story | Aperture Science Psychoacoustic Laboratories | D Major | 8 | 10B | 90 BPM | ||
| Meathook | Andrew Baena, Cooper Lagace | D♭ Major | 8 | 3B | 109 BPM | ||
| A Bad Feeling | Shusaku Uchiyama | B Major | 9 | 1B | 120 BPM | ||
| Surrounded by Infected | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| Nihil Est Simplex | Petri Alanko | C Major | 2 | 8B | 112 BPM | ||
| Cry of Heresy | Nima Fakhrara, Steve Molitz | G Major | 7 | 9B | 112 BPM | ||
| Nemesis' Theme | Masami Ueda | D Major | 1 | 10B | 111 BPM | ||
| NCPD Prowl | Marcin Przybyłowicz | D♭ Minor | 10 | 12A | 130 BPM | ||
| The Ambush | Johan Söderqvist, Patrik Andrén | D♭ Major | 3 | 3B | 162 BPM | ||
| The Lights Will All Go Out | Dan Romer | D♭ Major | 3 | 3B | 94 BPM | ||
| Tied up at the Moment | Various Artists, Bill Kiley | C Major | 2 | 8B | 121 BPM | ||
| The Arrival | Raison Varner | D♭ Major | 4 | 3B | 133 BPM | ||
| Rite Of Passage | P.T. Adamczyk | D Major | 4 | 10B | 81 BPM | ||
| Et Ratio Principalis | Petri Alanko | A Major | 4 | 11B | 128 BPM | ||
| Inside Their Lair | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| Focused Force | Paul Haslinger | A♭ Major | 10 | 4B | 110 BPM | ||
| Active Duty | Paul Haslinger, Leon Purviance | D♭ Major | 5 | 3B | 171 BPM | ||
| Prison Walls | Christian Vasselbring | A♭ Minor | 0 | 1A | 125 BPM | ||
| Take Heed Young Heathen | Dan Romer | A♭ Major | 0 | 4B | 69 BPM | ||
| Dr. Samuel Hayden | Mick Gordon | B Minor | 3 | 10A | 74 BPM | ||
| Isaac’s Hallucination | Trevor Gureckis | G Major | 6 | 9B | 65 BPM | ||
| LZ Epsilon | Audiomachine | D Major | 4 | 10B | 137 BPM | ||
| Evil Incarnate | Andrey Avkhimovich | C Major | 6 | 8B | 137 BPM | ||
| Peace Is Poison | Luc St-Pierre | G Major | 5 | 9B | 146 BPM |