The Network, Pollie Pop, Michael Sterling, Mr. Brill's ' "I Write My Own Checcs (Come to TX Relays) (Screwed & Chopped) (feat. Michael Sterling & Mr. Brill)" was released on its scheduled release date, September 26, 2017. For a fairly short song, this song is "I Write My Own Checcs (Come to TX Relays) (Screwed & Chopped) (feat. Michael Sterling & Mr. Brill)" is considered an explicit song with a duration of 1:56. The track order of this song in The Network, Pollie Pop's "Mixtape #1 (Verses) (Screwed & Chopped)" album is number 14 out of 47. Based on our statistics, I Write My Own Checcs (Come to TX Relays) (Screwed & Chopped) (feat. Michael Sterling & Mr. Brill)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of I Write My Own Checcs (Come to TX Relays) (Screwed & Chopped) (feat. Michael Sterling & Mr. Brill) by The Network, Pollie Pop, Michael Sterling, Mr. Brill to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love You Girl | The Great! Society | G Major | 2 | 9B | 114 BPM | ||
| Magic In The Air | The Attack | A Major | 6 | 11B | 68 BPM | ||
| Sarah Saturday | Lazy Smoke | G Major | 4 | 9B | 113 BPM | ||
| The Girls Are Naked | The Creation | A Major | 8 | 11B | 180 BPM | ||
| Path Through The Forest | The Factory | E♭ Minor | 9 | 2A | 131 BPM | ||
| I Know, She Believes | The Picadilly Line | D♭ Major | 6 | 3B | 120 BPM | ||
| Introspective Looking Glass | Fallen Angels | C Major | 5 | 8B | 134 BPM | ||
| Morning Morning | The Fugs | F Major | 5 | 7B | 116 BPM | ||
| Hallucinations - 1999 Remaster | Tomorrow | D Major | 5 | 10B | 120 BPM | ||
| She's Got the Time | The Afex | B♭ Major | 9 | 6B | 132 BPM | ||
| Gong With the Luminous Nose | Fleur De Lys | D Major | 6 | 10B | 99 BPM | ||
| Antique Doll | The Electric Prunes | D Minor | 4 | 7A | 132 BPM | ||
| A Woman Of Distinction | Caleb Quaye | D♭ Major | 6 | 3B | 104 BPM | ||
| Dawn of Tomorrow | The Third Bardo | C Major | 7 | 8B | 108 BPM | ||
| Come On In | The Music Machine | B♭ Minor | 5 | 3A | 114 BPM | ||
| There's Gonna Be A Storm | The Left Banke | A Major | 5 | 11B | 82 BPM | ||
| Velvet Illusions | The Velvet Illusions | F Minor | 9 | 4A | 90 BPM | ||
| Elevator Operator | Gene Clark, The Gosdin Brothers | A Major | 7 | 11B | 130 BPM | ||
| Gossamer Wings | The Chocolate Watchband | D Minor | 5 | 7A | 124 BPM | ||
| A Public Execution | Mouse and the Traps | C Major | 7 | 8B | 126 BPM | ||
| You Must Be a Witch | The Weeds | A Major | 8 | 11B | 81 BPM | ||
| I Wouldn’t Care | The Mystic Tide | E Major | 7 | 12B | 107 BPM | ||
| If You're Ready | The Del-Vetts | B Minor | 7 | 10A | 110 BPM | ||
| Rollin' Machine | The Seeds | C Major | 5 | 8B | 95 BPM | ||
| I Could Be Happy | The Dovers | D Major | 5 | 10B | 118 BPM |