"Cenobites" by Aeon had its release date on July 13, 2010. With This song being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 15 in Bleeding the False by Aeon. Cenobites is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cenobites by Aeon is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Just One Kill | Aeon | B Minor | 10 | 10A | 105 BPM | ||
| Scorned | Vital Remains | D Major | 10 | 10B | 135 BPM | ||
| Anthem for the Mentally Scarred | Narcotic Wasteland | F♯ Minor | 10 | 11A | 141 BPM | ||
| Door Knocker | Aeon | F♯ Major | 10 | 2B | 111 BPM | ||
| Architecture of Lust | Antropofagus | E Minor | 10 | 9A | 140 BPM | ||
| Extinguishing the Face of Heaven | Dyscarnate | G Major | 9 | 9B | 125 BPM | ||
| Staring From the Abyss | Origin | B♭ Minor | 10 | 3A | 80 BPM | ||
| Evil to Cast out Evil | Nile | B♭ Major | 9 | 6B | 162 BPM | ||
| Question | Severed Savior | D♭ Major | 10 | 3B | 122 BPM | ||
| The Choir Invisible | Misery Index | D♭ Major | 9 | 3B | 95 BPM | ||
| We Should Be Rocking | Von Pea, Donwill, Aeon, Lee Sissing | E Major | 6 | 12B | 136 BPM | ||
| Malediction | Hate | F♯ Major | 10 | 2B | 117 BPM | ||
| Blight And Conquer | Hour of Penance | B♭ Minor | 10 | 3A | 120 BPM | ||
| Where Angels Go Demons Follow | Spawn of Possession | G Minor | 10 | 6A | 120 BPM | ||
| Alyen Scourge | Deeds of Flesh | F♯ Major | 10 | 2B | 114 BPM | ||
| Eaten by the Dead | Entrails | F♯ Minor | 9 | 11A | 154 BPM | ||
| Bleeding the False | Aeon | E Minor | 10 | 9A | 100 BPM | ||
| Sovereign | Ingested | B♭ Major | 10 | 6B | 145 BPM | ||
| From Sacrifice To Survival | Skinless | G Major | 9 | 9B | 87 BPM | ||
| Praise the Beast | Azarath | D♭ Major | 10 | 3B | 129 BPM | ||
| Epigenetic Triplicity | Decrepit Birth | B♭ Major | 10 | 6B | 119 BPM | ||
| Despise the Cross | Aeon | F Major | 9 | 7B | 110 BPM | ||
| Enter Hell | Cut Up | B Major | 10 | 1B | 115 BPM | ||
| Algorithm | Origin | D♭ Minor | 10 | 12A | 118 BPM | ||
| God Ends Here | Aeon | F Major | 10 | 7B | 93 BPM |