Baba Bulleh Shah, Abida Parveen's ' "Bulle Noon Samjhavan" was released on its scheduled release date, March 5, 2013. This song appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "The Very Best of Abida". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Bulle Noon Samjhavan is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Bulle Noon Samjhavan by Baba Bulleh Shah, Abida Parveen having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Naino Mein Shyam Samaaye Gayo | Baba Rasika Pagal | A♭ Minor | 8 | 1A | 86 BPM | ||
| Shyam Hamara Hai | Ginny Kaur | A♭ Minor | 8 | 1A | 86 BPM | ||
| Manva Bolo Jai Sita Ram Bolo | Sri Sathya Sai Bhajans | D Minor | 5 | 7A | 82 BPM | ||
| Abu Talib Ke Gharane Ka Muslman Hoon Mein | Deewana Enterprises, Mukarram Warsi | F Minor | 7 | 4A | 112 BPM | ||
| 05- Ram Katha | Swami Rajeshwaranand Saraswati Maharaj | B Major | 7 | 1B | 150 BPM | ||
| Rama Pir Tharo Melo | Rajkumar Swami | A Major | 7 | 11B | 148 BPM | ||
| Meri Kismat Ka Sitara | Gajendra Pratap Singh | D♭ Major | 9 | 3B | 110 BPM | ||
| Mori Kherapati | Manish Agrawal | D♭ Major | 7 | 3B | 180 BPM | ||
| Milho Pyare Jeea | Bhai Mehtab Singh | B♭ Major | 9 | 6B | 118 BPM | ||
| Jo Vidhi Karam Mein Likha Vidhaata Mitane Wala Koi Nahi | Suresh Awasthi | A♭ Major | 7 | 4B | 124 BPM | ||
| Murlidhara | Jaya Kishori | B Major | 4 | 1B | 149 BPM | ||
| Kalka Maa Tere Mandir Ka Ajab Nazara | Deshpal Milakh | A♭ Major | 9 | 4B | 154 BPM | ||
| RANG RANG RA PHOOL KHILE | Nimbaram Dewasi Party | A♭ Major | 8 | 4B | 106 BPM | ||
| Sri RaghuNandana Rama Hare | Sri Sathya Sai | F♯ Major | 7 | 2B | 89 BPM | ||
| Ara Ra Ra Ra Bhar Pichkari | Sadhvi Purnima | A♭ Minor | 7 | 1A | 96 BPM | ||
| Gur Bin Ghor Andhar | Bhai Jaspreet Singh Ji, Bhai Manpreet Singh Ji Fatehgarh Sahib Wale | A♭ Major | 6 | 4B | 100 BPM | ||
| Halaat | Sanjay Mittal | E♭ Major | 6 | 5B | 110 BPM | ||
| Mein Toh Hawa Hu Kis Tarah Pehre Lagao Ge | Sanjeev Raghav | G Major | 8 | 9B | 132 BPM | ||
| Tere Jeya Sona | Sadhvi Poornima | C Minor | 5 | 5A | 160 BPM | ||
| Sare Jagat Me Nyara Hai Tajuddin Auliya | Rais Anis Sabri | F♯ Major | 7 | 2B | 104 BPM | ||
| Tode Na Dori Pyar Ki | Attaullah Khan | D♭ Major | 5 | 3B | 169 BPM | ||
| Shera Wali Maa Ke Bharose | Kishan Bhagat | C Minor | 8 | 5A | 155 BPM | ||
| Jinna Guru Charna de Naal | Ashwani Basoya Hajinder Mani, Dinesh Makhija, Vinod Gandhrav | A♭ Major | 6 | 4B | 123 BPM | ||
| Tere Hatha Da Khidona | Puneet Khurana | B♭ Minor | 9 | 3A | 88 BPM | ||
| सन्त भजनानंद जी नया भजन मारवाड़ी भजन | Sant Bhajana Nand | G Major | 9 | 9B | 107 BPM |