"リュートのための古風な舞曲とアリア 第3組曲 より I. イタリアーナ" by O. レスピーギ, サクソフォーン・カルテット・アテナ, 塩安真衣子(サックス), 江川良子(サックス), 冨岡祐子(サックス), 平賀美樹(サックス) had its release date on April 25, 2013. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. リュートのための古風な舞曲とアリア 第3組曲 より I. イタリアーナ's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 水晶の籠, so we believe that "リュートのための古風な舞曲とアリア 第3組曲 より I. イタリアーナ" is a single. The popularity of リュートのための古風な舞曲とアリア 第3組曲 より I. イタリアーナ is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of リュートのための古風な舞曲とアリア 第3組曲 より I. イタリアーナ by O. レスピーギ, サクソフォーン・カルテット・アテナ, 塩安真衣子(サックス), 江川良子(サックス), 冨岡祐子(サックス), 平賀美樹(サックス) is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | G Major | 0 | 9B | 79 BPM | ||
| Guerra e pace (Film Music Suite): Andrea e Natascha | Nino Rota, WDR Funkhausorchester Köln, Felix Bender | D Major | 2 | 10B | 76 BPM | ||
| I Miss You Sometimes | Ria Mbanefo | B♭ Major | 2 | 6B | 134 BPM | ||
| 交響詩《ローマの松》 IV. アッピア街道の松 | Ottorino Respighi, Andrea Battistoni, Tokyo Philharmonic Orchestra | B Major | 3 | 1B | 124 BPM | ||
| Messiaen: Fête des belles eaux: VIII. Feux d'artifice final | Olivier Messiaen, Jeanne Loriod, Sextuor Jeanne Loriod | B Major | 2 | 1B | 172 BPM | ||
| The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
| Orchestral Set n.2: Watermarks (I) | Aurelio Scotto | G Minor | 2 | 6A | 92 BPM | ||
| Otoño Porteño (Buenos Aires Autumn) | The Royal Wind Music | F♯ Major | 1 | 2B | 113 BPM | ||
| L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
| Tempus fugit: I. Part 1 | Magnus Lindberg, NDR Elbphilharmonie Orchester, Alan Gilbert | A Major | 2 | 11B | 123 BPM | ||
| Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Finale | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | C Major | 1 | 8B | 60 BPM | ||
| このサルめにお任せあれ! | Hideakira Kimura | G Major | 0 | 9B | 79 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | G Major | 0 | 9B | 79 BPM | ||
| Falla: Noches en los jardines de España: II. Danza lejana | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields, Tzimon Barto | G Major | 0 | 9B | 79 BPM | ||
| ボラー連邦 - 1st Version - 「宇宙戦艦ヤマトIII」使用BGM | 宮川 泰, シンフォニック・オーケストラ・ヤマト | E♭ Major | 2 | 5B | 76 BPM | ||
| Polovtsian Dances from Prince Igor: V. Presto | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
| Le sacre du printemps / Pt. 1: L'Adoration de la terre: V. Jeux des cités rivales | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | C Minor | 3 | 5A | 110 BPM | ||
| Symphony No. 1 in E Major, Op. 26: I. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Concertstück in F Major, Op. 86: II. Romanze | Robert Schumann, American Horn Quartet, Sinfonia Varsovia, Dariusz Wisniewski | B♭ Major | 0 | 6B | 86 BPM | ||
| ペール・ギュント 第 1組曲, 作品 46: 2. オーゼの死 | Edvard Grieg, Gerd Albrecht, Yomiuri Nippon Symphony Orchestra | F Major | 4 | 7B | 131 BPM | ||
| Serenade No. 1 in D Major, Op. 11: II. Scherzo. Allegro non troppo | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | D Minor | 1 | 7A | 68 BPM | ||
| 2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | ||
| Sibelius: King Christian II Suite, Op. 27: IV. Serenade | Jean Sibelius, Scottish National Orchestra/Sir Alexander Gibson, Alexander Gibson, Scottish National Orchestra | E Minor | 1 | 9A | 77 BPM | ||
| Miške, MKČ 101: IV. Development, a tempo I | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Strangers: A Chamber Ballet About Immigration - No. 18. Harlequin and Columbina at Home | Brian Dean Morales, Devin Hinzo, Ian Morin, Kimberly Zaleski, Robert Davis, Torrel Moss, Van Parker | G Major | 0 | 9B | 79 BPM |