Anuradha Paudwal's ' "Ki Adbhut Tomar Sthan" was released on its scheduled release date, September 28, 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Tumi Kali Rupe Tumi Shyama Rupe". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. The popularity of Ki Adbhut Tomar Sthan is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Ki Adbhut Tomar Sthan by Anuradha Paudwal having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tumse Kitna | Altaf Raja | G Minor | 7 | 6A | 95 BPM | ||
| Hothon Pe Tera Naam (From "Main Khiladi Tu Anari") | Pankaj Udhas | B Minor | 7 | 10A | 108 BPM | ||
| Tumse O Haseena | Suman Kalyanpur, Mohammed Rafi | B Minor | 6 | 10A | 93 BPM | ||
| Aana Jana (Part II) - From "Geraftaar" | Bappi Lahiri | D♭ Major | 4 | 3B | 173 BPM | ||
| Dekhiye Ye Sansar Hai | S. P. Balasubrahmanyam | D♭ Minor | 4 | 12A | 81 BPM | ||
| Ae Kash Ke Hum | Jatin-Lalit, Kumar Sanu | C Major | 7 | 8B | 161 BPM | ||
| Mera Karma Tu | Suresh Wadkar, Manhar Udhas, Mohammed Aziz, Laxmikant–Pyarelal | B♭ Minor | 3 | 3A | 172 BPM | ||
| Ankhiyon Ke Jharokhon Se - Part 1 | Hemlata, Ravindra Jain | E♭ Major | 5 | 5B | 82 BPM | ||
| Rooth Kar Hum | Sajid-Wajid, Roop Kumar Rathod, Sabri Brothers | F♯ Minor | 10 | 11A | 82 BPM | ||
| Judaai Judaai, Pt. 2 | Hariharan, Alka Yagnik, Jaspinder Narula | B Minor | 9 | 10A | 77 BPM | ||
| Bawla Hu Main Bawla | Jaspinder Narula, Sukhwinder Singh, Ram Shankar | D♭ Major | 9 | 3B | 115 BPM | ||
| Beech Bajaria | Sapna Awasthi | B♭ Major | 9 | 6B | 90 BPM | ||
| Tumse Bana Mera Jeevan | Mohammed Aziz, Anuradha Paudwal | A Major | 8 | 11B | 113 BPM | ||
| Diwano Se Mat Poochho | Mukesh, Kalyanji-Anandji | F♯ Major | 6 | 2B | 81 BPM | ||
| Jigar Pe Chot Wo Khai | Altaf Raja | A Minor | 8 | 8A | 110 BPM | ||
| Dil Ka Qaraar | Shraddha Pandit, Sonu Nigam | B Major | 5 | 1B | 146 BPM | ||
| Maalik Mere Hoton Pe Sab Ke | K. J. Yesudas | F Major | 7 | 7B | 80 BPM | ||
| Pyar Kabhi Kam Nahi Karna (Female) | Madhusmita, Bappi Lahiri | F♯ Major | 7 | 2B | 78 BPM | ||
| Main Tera Ashiq Hoon | Roop Kumar Rathod, Laxmikant–Pyarelal | B Major | 8 | 1B | 123 BPM | ||
| Hum Tere Bin Kahin Reh Nahin Paate | Anuradha Paudwal, Manhar Udhas | A Minor | 5 | 8A | 126 BPM | ||
| Dulhan Tu Dulha Main Ban Jaunga | Anuradha Paudwal, Debashish Dasgupta | G Major | 6 | 9B | 82 BPM | ||
| Too Mera Hero Hai - Jhankar Beats | Manhar Udhas, Anuradha Paudwal | E♭ Minor | 6 | 2A | 101 BPM | ||
| Jeeye to Jeeye Kaise (From "Saajan") | Pankaj Udhas | C Major | 5 | 8B | 129 BPM | ||
| Mera Dil Tere Liye | Anuradha Paudwal, Udit Narayan, Super Cassettes Industries Private Limited, Sameer Anjaan | B Minor | 8 | 10A | 80 BPM | ||
| Khuda Kare Ke Mohabbat Mein | Pankaj Udhas | B Minor | 6 | 10A | 88 BPM |