"Playing on the Moors" by Ruth Barrett had its release date on December 10, 2010. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wuthering Heights by Ruth Barrett. The song's track number on the album is #12 out of 15 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Playing on the Moors is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Playing on the Moors by Ruth Barrett has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Playing on the Moors being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Naru's Way | Sarah Schachner | A Minor | 4 | 8A | 99 BPM | ||
| Ray of Sunshine | Torin Borrowdale | E♭ Major | 0 | 5B | 92 BPM | ||
| Venus | Edmund Percival Montfort | C Major | 8 | 8B | 105 BPM | ||
| Smoking Area | Ruben de Gheselle | B♭ Major | 0 | 6B | 142 BPM | ||
| A Life Well Written | Christopher Willis | C Major | 3 | 8B | 91 BPM | ||
| Change is Coming | Benji Merrison, Will Slater | E Minor | 2 | 9A | 120 BPM | ||
| She’s Pregnant | Andrew Lockington | B♭ Minor | 0 | 3A | 190 BPM | ||
| Rensi | Dinbin Mau | B Major | 1 | 1B | 75 BPM | ||
| The Great Exhibition | Ruth Barrett, David Schweitzer | D Major | 3 | 10B | 159 BPM | ||
| Go to Her | Mike Higham, Matthew Margeson | C Minor | 1 | 5A | 119 BPM | ||
| Their First Time | Adam Taylor | C Major | 1 | 8B | 126 BPM | ||
| Lost Without You | Ruth Barrett, EERA, Dom James | D Minor | 2 | 7A | 105 BPM | ||
| Miranda's Victim Main Titles | Holly Amber Church | G Major | 0 | 9B | 144 BPM | ||
| The Murder at the Vicarage - Lust, Sin, Death | Dominik Scherrer | B Major | 2 | 1B | 140 BPM | ||
| Remembering Apollo | Mychael Danna, Harry Gregson-Williams | A Major | 2 | 11B | 115 BPM | ||
| Packing for the Voyage | Michael Brook | A Minor | 2 | 8A | 82 BPM | ||
| Médecin et les genoux | Stephen Warbeck | C Minor | 0 | 5A | 132 BPM | ||
| Llamadas Contundentes | Casualidades Del Destino | E Minor | 3 | 9A | 178 BPM | ||
| Miss Lambe on the Cliff | Ruth Barrett | A Minor | 2 | 8A | 89 BPM | ||
| Confianza Medida | Noches Eternas | E Minor | 3 | 9A | 95 BPM | ||
| Quatuor de l'adolescence | Guillaume Roussel | C Major | 1 | 8B | 83 BPM | ||
| Life Blood | Pinar Toprak, Tyler Durham | C Minor | 1 | 5A | 70 BPM | ||
| Climbing The Wall | Dario Marianelli | D Major | 1 | 10B | 80 BPM | ||
| Abandoned | John Paesano | G Minor | 2 | 6A | 65 BPM | ||
| The Dressmaker Closing Credits | David Hirschfelder | D Minor | 1 | 7A | 74 BPM |