Edgardo Donato's ' "El Adiós" was released on its scheduled release date, October 8, 2010. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "Tango Collection". In this album, this song's track order is #22. Based on our statistics, El Adiós's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With El Adiós by Edgardo Donato having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lloraras, lloraras | Orquesta Anibal Troilo, Floreal Ruiz | G Major | 3 | 9B | 86 BPM | ||
| Una Vez | Osvaldo Pugliese, Alberto Morán | G Major | 5 | 9B | 59 BPM | ||
| Tabernero | Francisco Fiorentino | D Major | 2 | 10B | 129 BPM | ||
| El Recodo | Rodolfo Biagi, Orquesta Rodolfo Biagi | C Major | 3 | 8B | 60 BPM | ||
| Milonga del '83 | La Juan D'Arienzo | G Major | 5 | 9B | 107 BPM | ||
| Sombra Gaucha | Edgardo Donato | C Major | 3 | 8B | 138 BPM | ||
| Todo Te Nombra | Pablo Valle Sexteto | B♭ Major | 2 | 6B | 127 BPM | ||
| Reliquias porteñas | Tango Spleen Orquesta | F♯ Minor | 6 | 11A | 105 BPM | ||
| Pena de Amor | Lucio Demare, Raúl Berón | F♯ Minor | 2 | 11A | 121 BPM | ||
| Yo Quiero Cantar Un Tango | Pedro Laurenz | G Major | 5 | 9B | 59 BPM | ||
| Que Solo Estoy | Lucio Demare, Raúl Berón | F♯ Minor | 2 | 11A | 121 BPM | ||
| Patético - Instrumental | Osvaldo Pugliese | B♭ Minor | 4 | 3A | 127 BPM | ||
| Lo Pasao Pasó | Carlos Di Sarli, Roberto Rufino | D Minor | 4 | 7A | 135 BPM | ||
| Criolla Linda | Francisco Lomuto | G Major | 5 | 9B | 59 BPM | ||
| Y Todavia Te Quiero | Domingo Federico | G Major | 5 | 9B | 59 BPM | ||
| Orlando Goñi | Alfredo Gobbi | G Major | 5 | 9B | 59 BPM | ||
| Telon | Osvaldo Fresedo y su Orquesta Típica | A Minor | 3 | 8A | 131 BPM | ||
| No hay tierra como la mia | Julio De Caro, Héctor Farrel | A Major | 3 | 11B | 102 BPM | ||
| Chau Pinela | Sexteto Carlos Di Sarli | F♯ Major | 4 | 2B | 124 BPM | ||
| Adiós, corazón | Orquesta Fulvio Salamanca, Armando Guerrico | A Minor | 2 | 8A | 124 BPM | ||
| Silbar de boyero | David Barberis, Orquesta Osvaldo Pugliese, Roberto Chanel | G Major | 1 | 9B | 120 BPM | ||
| Viejo Portón | Pablo Valle Sexteto | A♭ Major | 4 | 4B | 114 BPM | ||
| Morena del 900 | Julio De Caro, Héctor Farrel | D Minor | 4 | 7A | 114 BPM | ||
| Gitana Rusa | Ricardo Malerba | G Major | 5 | 9B | 59 BPM | ||
| Invierno | Francisco Canaro, Roberto Maida | A♭ Major | 2 | 4B | 117 BPM |