Rory Cooney's 'Psalm 138: On the Day I Called' had a release date set for May 1, 2012. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Psalm 138: On the Day I Called's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Journeysongs Third Edition: Volume 5" album is number 4 out of 30. On top of that, United States appears to be the country where this track was created. Psalm 138: On the Day I Called is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Psalm 138: On the Day I Called by Rory Cooney to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Are Mine | Peace Together Choir | B♭ Major | 2 | 6B | 80 BPM | ||
| The Church's One Foundation | Samuel Sebastian Wesley, Samuel J. Stone | D Major | 3 | 10B | 94 BPM | ||
| Safety Harbor | Rory Cooney, Gary Daigle, Theresa Donohoo | D Major | 5 | 10B | 119 BPM | ||
| How Beautiful | Twila Paris | A Major | 3 | 11B | 105 BPM | ||
| At the Lamb's High Feast | Jakob Hintze, Johann Sebastian Bach, James Denman, Robert Campbell | D Major | 3 | 10B | 83 BPM | ||
| To Jesus Heart All Burning | The Singing Nuns | C Major | 2 | 8B | 78 BPM | ||
| Psalm 51 "Create Me Again" | Rory Cooney, Gary Daigle, Theresa Donohoo | A Major | 4 | 11B | 98 BPM | ||
| The Parting Glass – Traditional Farewell Song | Traditional Traditional, Sound Souvenirs | B Minor | 2 | 10A | 118 BPM | ||
| He Lives! | Easter Hymns Band | F Major | 3 | 7B | 76 BPM | ||
| Gethsemane | The Mormon Choir of Washington D.C. | G Minor | 1 | 6A | 83 BPM | ||
| Alleluia Sing to Jesus | St. Michael's Singers | F Major | 2 | 7B | 100 BPM | ||
| Rain down | Disciplemarcelino, Jaime Cortez | F Major | 4 | 7B | 89 BPM | ||
| Trumpet in the Morning | Gary Daigle, Theresa Donohoo, Rory Cooney | D Major | 3 | 10B | 127 BPM | ||
| O God You Search Me | The New Irish Choir & Orchestra | D Major | 3 | 10B | 124 BPM | ||
| Come to Us | Rory Cooney, Theresa Donohoo | A♭ Major | 3 | 4B | 115 BPM | ||
| God, We Praise You | Christopher Idle | D Major | 2 | 10B | 81 BPM | ||
| One Bread, One Body | John Foley | A♭ Major | 3 | 4B | 72 BPM | ||
| With One Voice | Ricky Manalo, CSP | E♭ Major | 5 | 5B | 78 BPM | ||
| How Can I Keep from Singing? | Robert Lowry, Jeanne Cotter | D Major | 3 | 10B | 74 BPM | ||
| Blest Are They | On A Wing And A Prayer | G Major | 2 | 9B | 134 BPM | ||
| Ubi Caritas | Bob Hurd, Pedro Rubalcava | F Major | 2 | 7B | 122 BPM | ||
| Tantum Ergo | L'Angélus | B♭ Major | 2 | 6B | 73 BPM | ||
| O God, You Search Me | Bernadette Farrell | D Major | 2 | 10B | 133 BPM | ||
| Holy God, We Praise Thy Name | The Singing Nuns | F Major | 2 | 7B | 95 BPM | ||
| Blessed Are They (Hymn 1) | WCF Christadelphian Music | A Major | 3 | 11B | 130 BPM |