Ronnie Earl's 'Blues For Otis Rush' had a release date set for November 13, 2007. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ronnie Earl's "Hope Radio" album is number 10 out of 11. On top of that, Canada appears to be the country where this track was created. The popularity of Blues For Otis Rush is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Blues For Otis Rush by Ronnie Earl to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chitlins Con Carne | Stevie Ray Vaughan | F♯ Minor | 4 | 11A | 112 BPM | ||
| Linda | Ronnie Earl | A♭ Major | 6 | 4B | 137 BPM | ||
| Millpress Bed | Sketches of Silence | G Minor | 3 | 6A | 170 BPM | ||
| Coldland Vibes | Brian Grey | D Minor | 4 | 7A | 162 BPM | ||
| Brews Blues | Guthrie Trapp | D Major | 5 | 10B | 153 BPM | ||
| Jammin' With Willie | Luther Johnson | G Major | 5 | 9B | 96 BPM | ||
| Jonboat Rail | City Fade | F Minor | 4 | 4A | 112 BPM | ||
| Slow Draggin' | Noble "Thin Man" Watts | B♭ Major | 4 | 6B | 121 BPM | ||
| Sifter Screen | The Rusted Stage | F Minor | 3 | 4A | 88 BPM | ||
| Lonliness Therapy | Chapak Helgue | C Minor | 5 | 5A | 179 BPM | ||
| Blues For Bill | Ronnie Earl, The Broadcasters | A Major | 1 | 11B | 184 BPM | ||
| South Bay Beatdown | Gary Smith | C Major | 7 | 8B | 140 BPM | ||
| Pencilstub Margin | Cobalt Stories | B♭ Minor | 3 | 3A | 160 BPM | ||
| Raise a Little Hell | The EvenTunes | D♭ Major | 4 | 3B | 171 BPM | ||
| Lickin' Gravy | Jimmy Thackery | A Major | 6 | 11B | 176 BPM | ||
| Hominy Bowl | Snowlight Jazz Club | C Minor | 3 | 5A | 167 BPM | ||
| Sweet Magnolia Rain | The EvenTunes | A Major | 3 | 11B | 94 BPM | ||
| In Memory of T-Bone | Ronnie Earl, The Broadcasters | C Major | 5 | 8B | 110 BPM | ||
| Stormy Monday Blues | Eddy Clearwater | C Major | 3 | 8B | 86 BPM | ||
| Crossbeam Step | Snowlight Jazz Club | F Minor | 3 | 4A | 88 BPM | ||
| With My Only Two Friends | Chapak Helgue | C Minor | 5 | 5A | 179 BPM | ||
| Bluegill Gospel | Cobalt Stories | C Minor | 3 | 5A | 175 BPM | ||
| Cedar Room | Snowlight Jazz Club | F Minor | 3 | 4A | 87 BPM | ||
| Blue and Lonesome | Blues Company | A Minor | 3 | 8A | 84 BPM | ||
| In the Spirit Of | Duffmusiq | C Major | 4 | 8B | 180 BPM |