"El mie dolce sospir (Ballade)" by Francesco Landini, Ensemble Réal, Pascal Coté, Laura Zimmermann, Miriam Andersen, Christophe Tellart, Frédéric Cottereau had its release date on January 1, 2010. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 16 in Ars nova : Il trecento by Ensemble Réal, Pascal Coté, Laura Zimmermann. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, El mie dolce sospir (Ballade)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of El mie dolce sospir (Ballade) by Francesco Landini, Ensemble Réal, Pascal Coté, Laura Zimmermann, Miriam Andersen, Christophe Tellart, Frédéric Cottereau is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Terpsichore*: Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | F Major | 0 | 7B | 82 BPM | ||
| La Saché (feat. Gwen Tual Et Nathalie Le Gaouyat) | Louis de Caix d'Hervelois, Gwen Tual Et Nathalie Le Gaouyat | A♭ Minor | 2 | 1A | 79 BPM | ||
| Cléreau: Les Odes de Pierre de Ronsard à 3 parties: No. 9, La lune est coustumiere De naistre tous les mois | Pierre Clereau, Ensemble Gilles Binchois | E♭ Minor | 0 | 2A | 76 BPM | ||
| The English Dancing Master, Vol. 1: Jenny Pluck Pears | John Playford, Baltimore Consort | E Minor | 0 | 9A | 69 BPM | ||
| Quant en moy / Amour et biaute / Amara valde | DP (Machaut, Guillaume, Arr.:VladimirIvanoff, Sarband | C Major | 1 | 8B | 66 BPM | ||
| Spagnoletta | Michael Praetorius, Les Musiciens De Saint-Julien, François Lazarevitch | G Minor | 1 | 6A | 76 BPM | ||
| Viderunt omnes No. 1: ...Dominus... | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 2 | 3B | 130 BPM | ||
| Danza alta | Francesco de la Torre, Accentus Ensemble, Thomas Wimmer | A Minor | 1 | 8A | 140 BPM | ||
| Contrapunto Primo di B.M. | Vincenzo Galilei, Lynda Sayce, Matthew Spring | G Minor | 0 | 6A | 75 BPM | ||
| Menuet de Poitou de Couprin le père / Autre de Poitou / Menuet de Poitou / Autre de Poitou par Mle de la Chataigneraye / Autre de Poitou / Menuet de Poitou / Menuet d’Anne Philidor | Charles Couperin, Mademoiselle de la Chataigneraye, Anne Danican Philidor, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
| Il me souffit (Sermisy) | Edward Martin | G Minor | 0 | 6A | 88 BPM | ||
| Fantazia of foure parts | Orlando Gibbons, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 94 BPM | ||
| J’avois juré l’autre jour / Acis et Galatée, Prologue: Rigaudon / Suitte du Rigaudon / Double du Rigaudon fait par Mr Couprain | Bertrand de Bacilly, Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
| Ballo Francese chiamato Amoroso (Arr. for Wind Ensemble and Percussion by Pascale Boquet) | Giovanni Ambrosio, Guglielmo Ebreo da Pesaro, Into the Winds | F Major | 1 | 7B | 126 BPM | ||
| Joie, plaisance et douce nourriture | Guillaume de Machaut, Emmanuel Bonnardot, Dominique Vellard, Pierre Hamon, Brigitte Lesne | E♭ Minor | 2 | 2A | 89 BPM | ||
| Planctus David super Saul et Ionatha | Peter Abelard, Augsburg Early Music Ensemble | G Major | 1 | 9B | 70 BPM | ||
| Bassadanza cupido | Guglielmo Ebreo da Pesaro, La Rossignol | G Minor | 0 | 6A | 91 BPM | ||
| In Nomine à 5 I | John Bull, Fretwork | C Minor | 1 | 5A | 92 BPM | ||
| D' Amor mi biasmo | Francesco Landini, Musica Historica | G Minor | 4 | 6A | 160 BPM | ||
| The Apparitions of Phantasos | Michael Levy | E Major | 0 | 12B | 78 BPM | ||
| Madre de Deus | Alphonse X le Sage, Les musiciens de Provence, Maurice Guis | G Major | 2 | 9B | 120 BPM | ||
| Tarantela por primer tono | Juan de Araujo, Ensemble Villancico, Peter Pontvik | F♯ Major | 2 | 2B | 72 BPM | ||
| Inneståfrid’n efter Arvid Brännlund / Amanda | Ensemble Galilei | G Minor | 1 | 6A | 136 BPM | ||
| Si Dolce (Arr. R. Smedvig) | Francesco Landini, Rolf Smedvig, Empire Brass | D Major | 3 | 10B | 118 BPM | ||
| Zappay [lo campo] | Capella de Ministrers, Carles Magraner | C Major | 3 | 8B | 115 BPM |