The Controversy's ' "Real" was released on its scheduled release date, March 29, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Real". In this album, this song's track order is #1. Based on our statistics, Real's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Real by The Controversy having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Twin Channel | Modern Merchant | B Minor | 6 | 10A | 130 BPM | ||
| Eye For An Eye | Mags Duval | A Minor | 5 | 8A | 103 BPM | ||
| New Shores | The Blues And Greys | G Major | 7 | 9B | 129 BPM | ||
| Little Star | The Controversy | A♭ Minor | 7 | 1A | 132 BPM | ||
| Martyr | Nevin | D♭ Major | 3 | 3B | 131 BPM | ||
| Big Sister | Annie Ellicott, Aaron J. Morton, Jordan Hehl | G Major | 2 | 9B | 130 BPM | ||
| Darkening Sky | Peter Bradley Adams | G Major | 3 | 9B | 160 BPM | ||
| Poison in the Water | Von Grey | D Major | 5 | 10B | 172 BPM | ||
| Been Too Long | Lee Richardson, Jonathan Murrill, Tom Ford, James Cocozza | G Minor | 6 | 6A | 162 BPM | ||
| Come Up | Devics | B Minor | 3 | 10A | 131 BPM | ||
| The Temple | Three Laws | C Major | 7 | 8B | 140 BPM | ||
| Cross My Heart | AG, Cece And The Dark Hearts | A Minor | 3 | 8A | 98 BPM | ||
| Say Goodbye (I Won’t Even) | Adaline | A Minor | 3 | 8A | 152 BPM | ||
| I Wrote in Blood | Still Corners | A♭ Major | 4 | 4B | 110 BPM | ||
| Under My Skin | Claudia Kane | A♭ Major | 6 | 4B | 66 BPM | ||
| Pale Light | Dusted | G Minor | 5 | 6A | 172 BPM | ||
| Walking on the Ceiling | Class of 88 | A Major | 7 | 11B | 109 BPM | ||
| Goodnight | Mirel Wagner | B Minor | 2 | 10A | 98 BPM | ||
| Devil in Me | Panauh Kalayeh, Samantha Blanchard, James Desmond, John Eugenio | D♭ Minor | 4 | 12A | 120 BPM | ||
| Feeling Lost | Marilena Buck, William Kingswood | E Minor | 5 | 9A | 160 BPM | ||
| still dancing | LEOBLU | F Minor | 7 | 4A | 84 BPM | ||
| Feather Jesus | Fassine | E Minor | 8 | 9A | 116 BPM | ||
| Better Said | Cinephile | F Minor | 4 | 4A | 105 BPM | ||
| Wide Land | Lisa Maria | E Major | 4 | 12B | 115 BPM | ||
| Dreaming Free | Bora York | C Major | 2 | 8B | 119 BPM |