Philip Larkin's ' "Deceptions" was released on its scheduled release date, September 27, 2010. With This song being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Philip Larkin Reads The Less Decieved". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United Kingdom. The popularity of Deceptions is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Deceptions by Philip Larkin having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pride was a riot and we are not | MK Zariel | B♭ Minor | 5 | 3A | 145 BPM | ||
| Romans 8:37-39 | His Words | F Minor | 2 | 4A | 82 BPM | ||
| Jonah and the Great Fish | Riley Weber | B♭ Minor | 3 | 3A | 105 BPM | ||
| Mother to Son | Langston Hughes | B Minor | 0 | 10A | 86 BPM | ||
| Just so Stories: How the Whale Got His Throat | Rudyard Kipling, Ralph Fiennes | A♭ Major | 3 | 4B | 170 BPM | ||
| The Yipiyuk | Shel Silverstein | G Minor | 1 | 6A | 120 BPM | ||
| The Gettysburg Address | Orson Welles | B Major | 2 | 1B | 101 BPM | ||
| Lines on a Young Lady's Photograph Album | Philip Larkin | D Minor | 2 | 7A | 138 BPM | ||
| Last One | Dan conza | D Major | 3 | 10B | 125 BPM | ||
| Mock Orange | Louise Gluck | B♭ Minor | 4 | 3A | 111 BPM | ||
| The Ruined Maid | Various Artists | F Major | 4 | 7B | 122 BPM | ||
| Wedding Wind | Philip Larkin | B Minor | 1 | 10A | 89 BPM | ||
| The Love Song of J. Alfred Prufrock | T. S. Eliot | C Major | 1 | 8B | 101 BPM | ||
| Victorian London, Pt. 5 | Paul the Dreamtraveler | G Major | 0 | 9B | 79 BPM | ||
| The Unicorn Detective - Story | Riley Weber | B Major | 4 | 1B | 138 BPM | ||
| If, My Darling | Philip Larkin | D Minor | 2 | 7A | 151 BPM | ||
| 4 True College Horror Stories - Part 4 | Mr. Nightmare | C Major | 1 | 8B | 82 BPM | ||
| DONT BE LEFT BEHIND | DIVINELY APPOINTED | F♯ Major | 0 | 2B | 110 BPM | ||
| Prayer of St. Francis of Assisi | Robert Donat | C Minor | 1 | 5A | 82 BPM | ||
| The Parting of the Red Sea | Riley Weber | C Major | 5 | 8B | 166 BPM | ||
| HAHA | Doug In Hell | A♭ Major | 3 | 4B | 116 BPM | ||
| Embodying the Now | Eckhart Tolle | F Minor | 2 | 4A | 169 BPM | ||
| Cain and Abel | Bible Dreaming | D♭ Major | 7 | 3B | 92 BPM | ||
| Non Stop Dancer | My Mum Song | Derek & Clive | A♭ Major | 1 | 4B | 62 BPM | ||
| Slaughterhouse 5, Pt. 1 | Kurt Vonnegut | F Minor | 1 | 4A | 76 BPM |