"Whistle Viper - P.A.S. Live Edit" by Planetary Assault Systems, P.A.S. had its release date on March 24, 2017. This song is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. There are a total of 14 in the song's album "The Light Years Reworks". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Belgium. Based on our statistics, Whistle Viper - P.A.S. Live Edit's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Whistle Viper - P.A.S. Live Edit by Planetary Assault Systems, P.A.S. having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Resolution | Jeff Mills | D♭ Major | 10 | 3B | 131 BPM | ||
| Hong Kong - Night | MATRiXXMAN | B♭ Minor | 7 | 3A | 134 BPM | ||
| Arrival | MATRiXXMAN | D♭ Minor | 8 | 12A | 130 BPM | ||
| Concentrate | The Lady Machine | B♭ Minor | 9 | 3A | 134 BPM | ||
| Get To You | Ryan Elliott | B Minor | 6 | 10A | 133 BPM | ||
| Tone Explotation - Planetary Assault Systems Remix | Orlando Voorn, Planetary Assault Systems | F Minor | 7 | 4A | 130 BPM | ||
| Krakpot | Plastikman, Richie Hawtin | E Minor | 7 | 9A | 130 BPM | ||
| Nanendi | Planetary Assault Systems | F♯ Major | 6 | 2B | 129 BPM | ||
| Hunt Patterns 6 | Fanon Flowers | G Major | 9 | 9B | 127 BPM | ||
| Before One - Original Mix | Ben Klock | G Major | 6 | 9B | 128 BPM | ||
| Obliger | Takaaki Itoh | B♭ Minor | 9 | 3A | 128 BPM | ||
| Armageden | The Advent | B Minor | 8 | 10A | 143 BPM | ||
| Aura - Planetary Assault Systems Remix | Alan Fitzpatrick, Planetary Assault Systems | D♭ Minor | 10 | 12A | 138 BPM | ||
| Growth | Jeff Mills | G Major | 10 | 9B | 139 BPM | ||
| Binary Opposition - Planetary Assault Systems Process | Ø [Phase] | G Major | 6 | 9B | 127 BPM | ||
| Thunder (Red 3) (Live) | Dave Clarke | D♭ Major | 8 | 3B | 142 BPM | ||
| Escape Velocity | Jeroen Search | D♭ Major | 5 | 3B | 135 BPM | ||
| O-Ton Reassembled 4 | Luke Slater | B♭ Minor | 9 | 3A | 134 BPM | ||
| Frantic | Marcel Fengler | A♭ Minor | 6 | 1A | 129 BPM | ||
| Reykjavik | Sandwell District, Function | F Major | 8 | 7B | 119 BPM | ||
| The Parting | Planetary Assault Systems | B Minor | 5 | 10A | 113 BPM | ||
| Detached | James Ruskin | D Major | 8 | 10B | 128 BPM | ||
| Bear | Ben Klock | B♭ Major | 7 | 6B | 128 BPM | ||
| Twilight | Planetary Assault Systems | E Minor | 9 | 9A | 130 BPM | ||
| Against The Wall | Function | D Major | 6 | 10B | 127 BPM |