"Interlude" by Walter Miller had its release date on November 22, 2019. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 14 in Dark Clouds Over Suburbia by Walter Miller. Interlude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Interlude by Walter Miller is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Even Brighter | Trapfly | E♭ Minor | 5 | 2A | 85 BPM | ||
| I Wouldn't Change a Thing | Vanishing Shores | A Major | 3 | 11B | 111 BPM | ||
| Butterflies and Moths | Parched | A Major | 8 | 11B | 171 BPM | ||
| Then, Now, Always | Ashley Barron | D♭ Major | 9 | 3B | 142 BPM | ||
| Devil's Game | Two Guys Walk Into A Bar, Morris Holdahl | D Major | 7 | 10B | 170 BPM | ||
| The Man's Always Getting Me Down | Ben Aubergine | A♭ Major | 7 | 4B | 96 BPM | ||
| What Could I Give | The Reckless | F♯ Major | 9 | 2B | 152 BPM | ||
| The Long Dark Hallway | Man Must Explore | F Major | 9 | 7B | 160 BPM | ||
| Enough About Love | The Yesters | C Major | 5 | 8B | 130 BPM | ||
| In My Bones | Something Outrageous | E Major | 10 | 12B | 76 BPM | ||
| It's Good | Don't Believe in Ghosts | G Major | 7 | 9B | 111 BPM | ||
| Make You Feel My Love | Walter Miller | G Major | 1 | 9B | 77 BPM | ||
| Over Time | Cybophonia | D♭ Minor | 9 | 12A | 75 BPM | ||
| Kingston City Morgue | The Yesters | D♭ Minor | 4 | 12A | 78 BPM | ||
| Ocean Eyes | Ian Ward | B♭ Major | 8 | 6B | 123 BPM | ||
| CRASH OUT | Kejo Ang | F Major | 8 | 7B | 113 BPM | ||
| Best Intentions | The Neon Skyline | G Major | 8 | 9B | 69 BPM | ||
| I Killed a Man | Looms | B Major | 8 | 1B | 81 BPM | ||
| Suffocate | SCØBIE | F♯ Major | 8 | 2B | 110 BPM | ||
| Clear and Present Danger | Happy Little Clouds | F♯ Major | 5 | 2B | 154 BPM | ||
| Closure | The Engagement, Kaiyah Mercedes | C Major | 8 | 8B | 93 BPM | ||
| Hospital Wi-Fi | Vanattica | C Major | 10 | 8B | 95 BPM | ||
| The U-Turn | RightHandWave | G Major | 7 | 9B | 136 BPM | ||
| Line by Line | LITO | E Major | 9 | 12B | 136 BPM | ||
| Late to the Party | MOSAICS | A Minor | 8 | 8A | 150 BPM |