Junior Wells, Earl Hooker's ' "Calling All Blues" was released on its scheduled release date, 1957. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Calling All Blues's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 24 in Calling All Blues - The Chief, Profile & USA Recordings 1957-1963 by Junior Wells. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Calling All Blues is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Calling All Blues by Junior Wells, Earl Hooker is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Everything's Gonna Be All Right | Carey Bell | C Major | 6 | 8B | 119 BPM | ||
| Ride 'Em on Down | Eddie Taylor | E♭ Major | 7 | 5B | 107 BPM | ||
| End Of The Blues | Earl Hooker | D Minor | 4 | 7A | 114 BPM | ||
| Blues All Day Long (Blues Leave Me Alone) - Single Version | Jimmy Rogers | A Major | 6 | 11B | 69 BPM | ||
| Katie May | Arthur "Big Boy" Crudup | B♭ Major | 1 | 6B | 89 BPM | ||
| Wah Wah Blues | Earl Hooker | D Major | 3 | 10B | 103 BPM | ||
| I Done Got Over It | Lazy Lester | B♭ Major | 8 | 6B | 78 BPM | ||
| That's All Right | Arthur "Big Boy" Crudup | F Major | 6 | 7B | 106 BPM | ||
| Too Wet to Plow | Johnny Shines | F Major | 3 | 7B | 184 BPM | ||
| She's My Baby - Stereo Version | Sonny Boy Williamson II | C Major | 6 | 8B | 97 BPM | ||
| Key To The Highway | Junior Wells | A Major | 5 | 11B | 201 BPM | ||
| Can I Get a Witness? | Snooky Pryor | A Major | 6 | 11B | 107 BPM | ||
| Last Night | The Mannish Boys, Finis Tasby, Rod Piazza | G Major | 6 | 9B | 68 BPM | ||
| Bad boy | Eddie Taylor | D Major | 8 | 10B | 109 BPM | ||
| One Scotch, One Bourbon, One Beer - Bonus Track | Champion Jack Dupree | C Major | 7 | 8B | 174 BPM | ||
| Sleeper | Lowell Fulson | C Major | 4 | 8B | 86 BPM | ||
| Luther's Blues | Luther "Guitar Junior" Johnson | G Major | 5 | 9B | 100 BPM | ||
| Going Back Down South | John Primer | F Major | 5 | 7B | 178 BPM | ||
| Gotta Move On | Eddy Clearwater | A♭ Major | 7 | 4B | 186 BPM | ||
| Lulu Belle's Here | J. B. Hutto | G Major | 6 | 9B | 148 BPM | ||
| TIGHTEN UP ON IT | JOHNNY YOUNG'S SOUTH SIDE BLUES BAND | D♭ Major | 6 | 3B | 106 BPM | ||
| Homesick's Blues | Homesick James | B Major | 4 | 1B | 103 BPM | ||
| Crazy 'Bout My Baby | Snooky Pryor | D Major | 5 | 10B | 111 BPM | ||
| The Devil's Got a Garden | The EvenTunes | A Major | 3 | 11B | 103 BPM | ||
| I Ain't Got You | Jimmy Reed | A Major | 4 | 11B | 132 BPM |