Weber: Der Freischütz, Op. 77, J. 277: Overture by Carl Maria von Weber, Herbert von Karajan, Berliner Philharmoniker Song Details

"Weber: Der Freischütz, Op. 77, J. 277: Overture" by Carl Maria von Weber, Herbert von Karajan, Berliner Philharmoniker had its release date on 1962. This song appears to be safe for all ages as it is not explicit. The track order of this song in Herbert von Karajan, Berliner Philharmoniker's "Karajan conducts Weber, Wagner, Nicolai & Mendelssohn" album is number 1 out of 5. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Weber: Der Freischütz, Op. 77, J. 277: Overture is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Weber: Der Freischütz, Op. 77, J. 277: Overture by Carl Maria von Weber, Herbert von Karajan, Berliner Philharmoniker to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Music Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -17.13 dB
Acousticness: 89%
Danceability: 17%
Energy: 12%
Instrumentalness: 82%
Liveness: 19%
Loudness: 71%
Speechiness: 4%
Valence: 6%

Recommendations

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The Music Makers, Op. 69: I. Introduction. Moderato	Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright	G Major	2	9B	85 BPM
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Armida: Overture	Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini	D Major	1	10B	81 BPM
Fedora, Act II: Intermezzo	Umberto Giordano, Berliner Philharmoniker, Herbert von Karajan	E Major	2	12B	128 BPM
Piano Concerto No. 3 in E-Flat Major, Op. 29: III. Allegro non troppo	Camille Saint-Saëns, Pascal Rogé, London Philharmonic Orchestra, Charles Dutoit	A♭ Major	0	4B	72 BPM
Vert-Vert: Overture	Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan	G Major	1	9B	101 BPM
Serenade for Strings in C, Op. 48: 4. Finale (Tema russo): Andante - Allegro con spirito	Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Semyon Bychkov	B♭ Minor	0	3A	66 BPM
Suor Angelica: Intermezzo	Giacomo Puccini, Berliner Philharmoniker, Herbert von Karajan	F Major	0	7B	83 BPM
The Rite of Spring, K15, Pt. 1: V. Games of the Rival Tribes	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	D Major	0	10B	81 BPM
Symphony No. 3 in D Minor, Zweite Abteilung: II. Tempo di Menuetto. Sehr mäßig	Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel	A Major	0	11B	137 BPM
Symphony No. 4 in E minor, Op. 98: 3. Allegro giocoso	Classic FM Orchestra	E♭ Major	4	5B	124 BPM
Symphony No. 2 in C, Op. 61: 2. Scherzo: Allegro vivace	Robert Schumann, Berliner Philharmoniker, James Levine	G Major	2	9B	133 BPM
Symphony No. 2 in E Minor, Op. 27: Ib. Allegro moderato	Sergei Rachmaninoff, Philadelphia Orchestra, Yannick Nézet-Séguin	G Major	1	9B	85 BPM