Chris McDonald's ' "Maybe" was released on its scheduled release date, January 1, 2006. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Chris McDonald's "Lost In The Fifties" album is number 3 out of 12. Maybe is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Maybe by Chris McDonald to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Amazing Grace | Chris McDonald | F Major | 3 | 7B | 136 BPM | ||
| Vestibule Arch | Fireside Jazz | A♭ Major | 2 | 4B | 78 BPM | ||
| The More I See You | Stephen Kummer | D Major | 2 | 10B | 91 BPM | ||
| Azure Silence | Azure Ensemble | F Major | 3 | 7B | 78 BPM | ||
| In A Sentimental Mood | Antoine Silverman | D Minor | 3 | 7A | 122 BPM | ||
| Phase Rotation | Motion Ledger | B♭ Major | 3 | 6B | 68 BPM | ||
| Senza Fine | Jeff Steinberg | F Minor | 4 | 4A | 115 BPM | ||
| Yellowcab Meter | Fifth Bar | B♭ Major | 3 | 6B | 68 BPM | ||
| Three Little Birds | Chris McDonald | A Major | 4 | 11B | 148 BPM | ||
| The Shadow Of Your Smile | Faraò/Durham/Zunino | G Major | 3 | 9B | 133 BPM | ||
| Late Angles | Midtown Noir | B♭ Major | 3 | 6B | 68 BPM | ||
| Terminal Atrium | Still Geometry Jazz | E♭ Major | 2 | 5B | 216 BPM | ||
| Down Parker’s Hill | Chris McDonald, The Drive Time Band | C Minor | 4 | 5A | 157 BPM | ||
| Something Borrowed | India Manes | D Minor | 0 | 7A | 114 BPM | ||
| Meditation | Lori Mechem | C Major | 3 | 8B | 112 BPM | ||
| Horn Horizon | Horn Society | B♭ Major | 4 | 6B | 129 BPM | ||
| Lovely Day | Atlantic Five Jazz Band | G Major | 4 | 9B | 103 BPM | ||
| Pavilion Cantabile | Monochrome Silence | E♭ Major | 2 | 5B | 75 BPM | ||
| Speakeasy Portico | marss ala | G Minor | 3 | 6A | 85 BPM | ||
| The Twist | Chris McDonald | E Major | 6 | 12B | 156 BPM | ||
| Projector Coda | Monochrome Silence | E♭ Major | 2 | 5B | 77 BPM | ||
| Rhumba on Rails | lost postcards | A Minor | 4 | 8A | 104 BPM | ||
| Frequency Dust | Prismatics | F♯ Minor | 5 | 11A | 160 BPM | ||
| Beyond The Reef | Faraò/Durham/Zunino | F Major | 4 | 7B | 135 BPM | ||
| Calm Resonance | Azure Ensemble | B♭ Major | 2 | 6B | 179 BPM |