"The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Galop" by Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz had its release date on November 10, 2017. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Galop's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "The Gadfly (Original Score)". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Galop is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Galop by Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in moto di canzone | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | B♭ Minor | 0 | 3A | 82 BPM | ||
| D'Indy : Symphonie sur un chant montagnard, 'Cévenole' Op.25 : II Assez modéré, mais sans lenteur | Vincent d'Indy, Marek Janowski, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 56 BPM | ||
| Symphony No. 2 in A Major: III. Allegro scherzando | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 175 BPM | ||
| Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| 4 Ragtime Dances: No. 4, — | Charles Ives, Orchestra New England, James Sinclair | B♭ Major | 4 | 6B | 93 BPM | ||
| Podrugi (Girl Friends), Op. 41a [reconstructed by M. Fitz-Gerald]: The story of Silych's son, Ivan | Dmitri Shostakovich, Agnieszka Bochenek-Osiecka, Aleksandra Poniszowska, Elzbieta Starczynowska, Sabina Myrczek, Adam Myrczek, Camerata Silesia, Celia Sheen, Polish National Radio Symphony Orchestra, Mark Fitz-Gerald | E♭ Major | 3 | 5B | 98 BPM | ||
| Chamber Symphony No. 5 in A-Flat Major, Op. 118a: II. Allegretto furioso | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | D♭ Major | 0 | 3B | 78 BPM | ||
| Die sieben Todsünden: Prologue - Remastered 2023 | Kurt Weill, Serena Wey, Basel Sinfonietta, Mark Fitz-Gerald | F Minor | 1 | 4A | 122 BPM | ||
| The Snowstorm: III. Spring and autumn | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra, State academic large symphony orchestra | E Minor | 1 | 9A | 61 BPM | ||
| Symphony in D Minor, FWV 48 (Remastered): III. Finale - Allegro non troppo | César Franck, Pierre Monteux, Chicago Symphony Orchestra | D Major | 2 | 10B | 84 BPM | ||
| Symphony No. 4 in F Minor, Op. 36: III. Scherzo. Pizzicato ostinato – Allegro | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 156 BPM | ||
| Czech Suite, Op. 39: IV. Romance | Antonín Dvořák, Janacek Philharmonic Orchestra, Theodore Kuchar | F♯ Major | 1 | 2B | 86 BPM | ||
| Carmen Suite: VIII. Bolero (after G. Bizet): Introduction | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 99 BPM | ||
| Symphony No. 1 in F Minor, Op. 10: III. Lento – Largo – Lento – | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | F♯ Minor | 0 | 11A | 78 BPM | ||
| Concerto for 2 Pianos, FP. 61: III. Allegro molto | Francis Poulenc, Leonard Bernstein, New York Philharmonic, Artur Gold, Robert Fizdale | A Minor | 3 | 8A | 100 BPM | ||
| Spartacus, Act II: Parting of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| Symphony No. 2 in E Minor: IV. Finale. Allegro vivace | Emilie Mayer, NDR Radiophilharmonie, Leo McFall | E Minor | 1 | 9A | 110 BPM | ||
| The Three-Cornered Hat: Suite No. 2 - Three Dances, III. Final Dance - Jota | Manuel de Falla, Philadelphia Orchestra, Raphael Frühbeck de Burgos | G Major | 2 | 9B | 78 BPM | ||
| Piano Concerto No. 4 in G Minor, Op. 40: I. Allegro vivace | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | B♭ Major | 2 | 6B | 92 BPM | ||
| The Firebird (L'oiseau De Feu) - Suite (1919): Berceuse | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A♭ Minor | 0 | 1A | 135 BPM | ||
| Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | Franz Liszt, Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein | A♭ Major | 1 | 4B | 92 BPM | ||
| Spartacus: Scene of the Gaditanae Maidens | Aram Khachaturian, Wiener Philharmoniker | C Major | 5 | 8B | 74 BPM | ||
| Eine Alpensinfonie: X. Nacht | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 86 BPM | ||
| Gayane Suite No. 2: I. Harvest Holiday | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A♭ Major | 4 | 4B | 97 BPM | ||
| Petrushka: The Shrove-Tide Fair | Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Igor Stravinsky | D Minor | 5 | 7A | 80 BPM |