Ricardo "Chiqui" Pereyra's ' "Qué Te Pasa Buenos Aires?" was released on its scheduled release date, October 16, 1981. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ricardo "Chiqui" Pereyra's "Malevaje" album is number 4 out of 11. On top of that, Argentina appears to be the country where this track was created. In terms of popularity, Qué Te Pasa Buenos Aires? is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Qué Te Pasa Buenos Aires? by Ricardo "Chiqui" Pereyra to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Andate por Dios | La Juan D'Arienzo | A Major | 6 | 11B | 137 BPM | ||
| Esta noche de luna | Orquesta Carlos di Sarli, Roberto Rufino | C Major | 3 | 8B | 129 BPM | ||
| No Me Supiste Amar | Orquesta Carlos di Sarli, Horacio Casares | A Minor | 3 | 8A | 121 BPM | ||
| Milonga del Adiós en Re menor | JEIRI SONJ | E Minor | 1 | 9A | 130 BPM | ||
| Un Cariño Pasajero (with Jorge Falcón) | Héctor Varela, Jorge Falcón | C Major | 3 | 8B | 126 BPM | ||
| La Cumparsita | Pablo Ramos & los Herederos del Compás | G Minor | 3 | 6A | 132 BPM | ||
| Que Me Van a Hablar de Amor | Jorge Vázquez | F Major | 5 | 7B | 118 BPM | ||
| No Tengo La Culpa | Alfredo Belusi | F Minor | 5 | 4A | 116 BPM | ||
| El esquinazo | Orquesta Juan D' Arienzo | C Major | 8 | 8B | 110 BPM | ||
| Por una Cabeza - Radio Edit | Adrián Subotovsky, Claudio Marciello, Ricardo "Chiqui" Pereyra | F Minor | 8 | 4A | 130 BPM | ||
| Confidencias | Ricardo "Chiqui" Pereyra | B♭ Major | 4 | 6B | 116 BPM | ||
| Cristal | La Auténtica Milonguera | B♭ Major | 2 | 6B | 127 BPM | ||
| Flor del Valle | Ricardo "Chiqui" Pereyra | C Major | 6 | 8B | 123 BPM | ||
| Rosa de otoño (Vals) | Nelly Omar, Francisco Canaro & His Orchestra | G Minor | 4 | 6A | 99 BPM | ||
| Cordón | Chico Novarro | G Major | 2 | 9B | 151 BPM | ||
| Sus Ojos Se Cerraron | Ricardo "Chiqui" Pereyra | E Minor | 4 | 9A | 110 BPM | ||
| Reliquias porteñas 2 - Remastered | Francisco Canaro Y Su Orquesta Tipica | F♯ Minor | 4 | 11A | 106 BPM | ||
| Organito de la tarde | Alberto Marino | C Major | 3 | 8B | 125 BPM | ||
| Milonga De Corralon | Rubén Juárez | D♭ Major | 3 | 3B | 97 BPM | ||
| Mariposita | Orquesta Rodolfo Biagi, Hugo Duval, Anselmo Aieta, Francisco García Jiménez | A Minor | 3 | 8A | 120 BPM | ||
| Mi Dolor | La Santa Calavera, Ariel Varnerin | D♭ Major | 7 | 3B | 120 BPM | ||
| Cuatro compases | Tango Bardo, Chino Laborde | C Major | 3 | 8B | 65 BPM | ||
| Se Tiran Conmigo | Omar Mollo | C Major | 6 | 8B | 112 BPM | ||
| Lo Han Visto Con Otra - Remasterizado | Ignacio Corsini | D Minor | 5 | 7A | 98 BPM | ||
| Yo También Me Equivoqué | Ricardo "Chiqui" Pereyra | G Major | 6 | 9B | 120 BPM |