Digital Daggers, Jason Robert Smith's 'Let's Escape' had a release date set for November 5, 2014. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Let's Escape's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Digital Daggers's "Mixed Emotions" album is number 6 out of 10. The popularity of Let's Escape is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Let's Escape by Digital Daggers, Jason Robert Smith to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dark Matter | Les Friction | B Minor | 4 | 10A | 120 BPM | ||
| Fear the Fever | Digital Daggers | E Minor | 5 | 9A | 110 BPM | ||
| Where the Lonely Ones Roam | Digital Daggers | A Minor | 7 | 8A | 140 BPM | ||
| Lost My Mind | Alice Kristiansen | F♯ Minor | 2 | 11A | 125 BPM | ||
| Love You More | Llynks | G Minor | 3 | 6A | 130 BPM | ||
| This Little Girl | Cady Groves | F Minor | 9 | 4A | 75 BPM | ||
| Crow | Sasha Siem | C Minor | 4 | 5A | 132 BPM | ||
| Villain | Halflives | C Minor | 7 | 5A | 70 BPM | ||
| Until We Go Down | Ruelle | A Major | 5 | 11B | 85 BPM | ||
| All the King's Men | The Rigs | A Major | 7 | 11B | 101 BPM | ||
| Kiss Me | Rob Vischer | A Minor | 8 | 8A | 124 BPM | ||
| Deep End | Ruelle | C Major | 6 | 8B | 120 BPM | ||
| HYPNOTIZED | AViVA | G Minor | 2 | 6A | 75 BPM | ||
| Don't Say You Do | Lola Blanc | C Major | 7 | 8B | 105 BPM | ||
| Who Will Save You | Katie Garfield, Obeds | B♭ Minor | 5 | 3A | 78 BPM | ||
| Animal | MISSIO | B Minor | 7 | 10A | 140 BPM | ||
| They Will Fall Like Roses | of Verona | D♭ Major | 8 | 3B | 79 BPM | ||
| Forevermore | Broken Iris | F Minor | 7 | 4A | 63 BPM | ||
| Couldn't Stop Caring | The Spiritual Machines | B Minor | 9 | 10A | 120 BPM | ||
| Can You Feel It Coming | Steelfeather | C Minor | 7 | 5A | 115 BPM | ||
| Bringing Me Down (feat. Ruelle) | Ki:Theory, Ruelle | F♯ Major | 9 | 2B | 138 BPM | ||
| How Villains Are Made | Madalen Duke | G Minor | 2 | 6A | 75 BPM | ||
| How Far Does The Dark Go | Anya Marina | B Minor | 5 | 10A | 90 BPM | ||
| Afterlife | XYLØ | A Minor | 6 | 8A | 77 BPM | ||
| The Passenger | Hunter As a Horse | A Minor | 6 | 8A | 120 BPM |