Suzuki Masaki's ' "Destiny" was released on its scheduled release date, March 25, 2020. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Destiny's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Capcom Sound Team's "MEGAMAN ZX ADVENT ORIGINAL SOUNDTRACK" album is number 19 out of 33. On top of that, Japan appears to be the country where this track was created. Based on our statistics, Destiny's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Destiny by Suzuki Masaki to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Unique Battle | アリスソフト | F Major | 10 | 7B | 109 BPM | ||
| PURE ODIO | 下村 陽子 | D Major | 4 | 10B | 86 BPM | ||
| Battlefield - First Move | Yuzo Koshiro | A Minor | 9 | 8A | 199 BPM | ||
| Hidden Trap | Yoshiya Terayama | D♭ Major | 10 | 3B | 100 BPM | ||
| Shadow Master | Hirofumi Murasaki Morihiko Akiyama & Masayuki Nagao | F Major | 9 | 7B | 129 BPM | ||
| バトル | 福田考代 | D Major | 9 | 10B | 140 BPM | ||
| Network Coast (Stage 3) | Paul Bethers | B Minor | 10 | 10A | 142 BPM | ||
| SAMURAI SCANNERS | コーエーテクモサウンド | F Minor | 9 | 4A | 160 BPM | ||
| Dimension Heist - UFO Special Stage | Tee Lopes | A♭ Major | 9 | 4B | 180 BPM | ||
| RAINY TURTLOID STAGE | AKEMI KIMURA | A Minor | 10 | 8A | 134 BPM | ||
| Brilliant Show Window | Kawakami Ryo | G Minor | 6 | 6A | 160 BPM | ||
| Mega Man 2 / Title | ROCK-MEN | C Major | 10 | 8B | 154 BPM | ||
| Battle! Zeraora (From "Pokémon Sun & Moon") | The Zame | B Minor | 9 | 10A | 200 BPM | ||
| Esperanto (From "Mega Man Zero 4") [Metal Version] | ToxicxEternity | A♭ Minor | 5 | 1A | 110 BPM | ||
| GIVE IT A SHOT | Yasumasa Kitagawa | A Minor | 10 | 8A | 134 BPM | ||
| Legacy - Ark Stage 1 Boss | Dominic Ninmark | E Minor | 10 | 9A | 184 BPM | ||
| The Final Battle | Nobuo Uematsu | G Minor | 3 | 6A | 174 BPM | ||
| -(THREONINE)- | 崎元仁, ベイシスケイプ | B Minor | 8 | 10A | 140 BPM | ||
| Revelations: Persona Medley Myth Awakening / Pandora Encounter / Death Line / Dungeon~SEBEC Underground Laboratory / SEBEC City / Town 1 After The Incident / The Snow Queen Theme~Main / The Snow Queen Good Ending / Nomal Battle (ATLAS Konishi Remix) (2022 | ATLUS Sound Team | B♭ Major | 9 | 6B | 144 BPM | ||
| Mega Man 3 / Snake Man Stage | ROCK-MEN | F Minor | 9 | 4A | 142 BPM | ||
| Morning Mist Bay Stage -Vietnam- | Hideyuki Fukasawa | E Minor | 8 | 9A | 126 BPM | ||
| Cosmic Fall | Jun Senoue (SEGA SOUND TEAM) | B♭ Minor | 7 | 3A | 160 BPM | ||
| 「This is the Last Battle - arrange -」 from FINAL FANTASY III | SQUARE ENIX MUSIC | A Minor | 8 | 8A | 163 BPM | ||
| RM11 | 福原綾香 | A♭ Major | 10 | 4B | 155 BPM | ||
| Last Battle -Emilia- | 伊藤 賢治 | F♯ Minor | 8 | 11A | 149 BPM |