Mozarteum Orchestra Salzburg's 'I. O Fortuna, II.Fortuna plango vulnera: Fortuna Imperatrix Mundi' had a release date set for July 7, 1992. This song is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The song is number 1 out of 7 in Carmina Burana by Mozarteum Orchestra Salzburg. Based on our statistics, I. O Fortuna, II.Fortuna plango vulnera: Fortuna Imperatrix Mundi's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of I. O Fortuna, II.Fortuna plango vulnera: Fortuna Imperatrix Mundi by Mozarteum Orchestra Salzburg is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Godfather Waltz | Nino Rota, Carlo Savina | G Minor | 2 | 6A | 115 BPM | ||
| Die Walküre, Act III: Ride of the Valkyries | Richard Wagner, Budapest Symphony Orchestra, György Lehel | D♭ Major | 1 | 3B | 72 BPM | ||
| O Fortuna from Carmina Burana - Vocal | Carl Orff, John Williams, Tanglewood Festival Chorus, Boston Pops Orchestra | B♭ Major | 3 | 6B | 139 BPM | ||
| Galop Infernal (Can-Can) - De La Opera "Orfeo En Los Infiernos" | Jacques Offenbach, Inma Shara | D Major | 4 | 10B | 74 BPM | ||
| El Barbero de Sevilla: "Introducción" | Manuel Ausensi, Teresa Berganza, Fernando Corena, Nicolai Ghiaurov | E Major | 2 | 12B | 95 BPM | ||
| El Amor Brujo: Danza del Fuego | Orquesta Sinfónica De Radio Hamburgo, Manuel de Falla, Oscar Bustonovich | G Major | 3 | 9B | 147 BPM | ||
| Schubert: Ave Maria, Op. 52 No. 6, D. 839 (Excerpt) | Franz Schubert, Barbara Bonney, Geoffrey Parsons | A Minor | 3 | 8A | 143 BPM | ||
| Beethoven’s Letter For Elise | Various Artists | F Major | 1 | 7B | 124 BPM | ||
| Der fliegende Holländer / Act 3: 7. Szene und Chor. "Steuermann, laß die Wacht!" | Richard Wagner, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Woldemar Nelsson | G Major | 3 | 9B | 86 BPM | ||
| Instruments Of The Orchestra: Vivaldi: The Four Seasons: Winter: I. Allegro Non Molto | Jeremy Siepmann | F Minor | 3 | 4A | 148 BPM | ||
| String Quintet in E Major, G. 275: III. Minuetto - Trio | Luigi Boccherini, Cuarteto Casals, Eckart Runge | A Major | 0 | 11B | 127 BPM | ||
| Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra | C Minor | 0 | 5A | 82 BPM | ||
| Carmen, WD 31, Act I: Prelude | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | D Minor | 3 | 7A | 128 BPM | ||
| Habanera | Georges Bizet, Samuel Friedmann | D Major | 0 | 10B | 135 BPM | ||
| Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet) - Excerpt | Léo Delibes, Anna Netrebko, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato | G Minor | 1 | 6A | 93 BPM | ||
| La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
| Funeral Sentences for the death of Queen Mary II: The Queen's Funeral March (Procession) | Henry Purcell, Baroque Brass Of London, David Hill | B♭ Minor | 2 | 3A | 85 BPM | ||
| Requiem: IIa. Dies irae | Giuseppe Verdi, Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | C Minor | 4 | 5A | 77 BPM | ||
| Zadok The Priest (Coronation Anthem No. 1, HWV 258) | George Frideric Handel, Vienna Boys' Choir, Chorus Viennensis, Wiener Volksoper Kammerorchester, Peter Marschik | D♭ Major | 2 | 3B | 97 BPM | ||
| Götterdämmerung, WWV 86D, Act III: Siegfrieds Trauermarsch | Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | F Minor | 0 | 4A | 67 BPM | ||
| 21 Hungarian Dances, WoO 1 - Orchestral Version: No. 5 in G Minor | Johannes Brahms, Gewandhausorchester Leipzig, Kurt Masur | G Minor | 1 | 6A | 142 BPM | ||
| Fanfare for the Common Man | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | B♭ Major | 2 | 6B | 73 BPM | ||
| The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Radio Sinfonieorchester Stuttgart des SWR, Sir Roger Norrington | B♭ Major | 2 | 6B | 129 BPM | ||
| Stabat mater: Quis est homo (a due) | Giovanni Battista Pergolesi, Julia Faulkner, Anna Gonda, Camerata De Budapest, Michael Halasz | F Major | 1 | 7B | 113 BPM | ||
| Presto - Tempo impetuoso e' estate. Ah che pur troppo i suoi timor son veri...* | Gidon Kremer, Kremerata Baltica | G Major | 3 | 9B | 156 BPM |