"Three Years Later" by Jon Everist, Paradox Interactive, Emily Ridgway had its release date on April 24, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 48 in Battletech (Original Game Soundtrack) by Jon Everist, Paradox Interactive. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Three Years Later's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Three Years Later by Jon Everist, Paradox Interactive, Emily Ridgway is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hunting Phase | Lauren Pham | A Minor | 6 | 8A | 120 BPM | ||
| Forgotten Caves | Élise in the Clouds | B Minor | 2 | 10A | 66 BPM | ||
| Beyond The Asteroid Belt | Guillaume David | A♭ Minor | 3 | 1A | 76 BPM | ||
| Mystical Landscapes | Olivier Deriviere | D Major | 1 | 10B | 120 BPM | ||
| Celestium (From The Planetfall Soundtrack) | Michiel van den Bos | C Minor | 4 | 5A | 91 BPM | ||
| Thawing | Dynamedion | D Major | 3 | 10B | 123 BPM | ||
| Synthetic Spirit | Pawel Blaszczak | F Major | 3 | 7B | 134 BPM | ||
| The Reckoning | Neal Acree | C Minor | 5 | 5A | 166 BPM | ||
| Algos | Joe Thwaites | F Major | 8 | 7B | 120 BPM | ||
| They Come | Steve Pardo | G Major | 6 | 9B | 130 BPM | ||
| Neo Industrialist | Dynamedion | A♭ Major | 5 | 4B | 115 BPM | ||
| The Abyss (Ambient Early) | Griffin Cohen | G Minor | 2 | 6A | 135 BPM | ||
| Highpool Prison | Mark Morgan | C Major | 1 | 8B | 77 BPM | ||
| Space, The Final Frontier | Celestial Aeon Project, Tuomas Nikkinen | C Minor | 3 | 5A | 110 BPM | ||
| Liege's Hand | Pawel Perepelica | D Minor | 5 | 7A | 156 BPM | ||
| Breaching the Veil | Ed Harrison | B♭ Minor | 6 | 3A | 133 BPM | ||
| Ukotto of the Elder Dark | e.hillman | A♭ Major | 10 | 4B | 95 BPM | ||
| The Frost | Suat Can | G Major | 3 | 9B | 33 BPM | ||
| System One | Makeup And Vanity Set | C Major | 3 | 8B | 120 BPM | ||
| Sandstorm | George Strezov | A Minor | 4 | 8A | 195 BPM | ||
| Into the Mysteries | Marc Canham | A♭ Major | 2 | 4B | 66 BPM | ||
| Mission Control | Alexei Zakharov | C Minor | 3 | 5A | 142 BPM | ||
| The Crystal Dragon, Pt. 2 | Maclaine Diemer | B♭ Minor | 5 | 3A | 75 BPM | ||
| Isha's Tears | Broojacker | E Minor | 4 | 9A | 120 BPM | ||
| World Is Bleeding | Dmitry V. Silantyev | E Major | 2 | 12B | 118 BPM |