K. L. Saigal, Uma Devi's ' "Main Man Ki Baat Bataoon" was released on its scheduled release date, January 1, 1938. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 5 in Dhartimata by Pankaj Mullick. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Main Man Ki Baat Bataoon is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Main Man Ki Baat Bataoon by K. L. Saigal, Uma Devi is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ab Ke Sawan Ghar Aaja - Thumri | Begum Akhtar | E Major | 6 | 12B | 72 BPM | ||
| Aayee Zanjeer Ki Jhankar, Pt.1 | Kabban Mirza, Jan Nisar Akhtar | E♭ Major | 5 | 5B | 91 BPM | ||
| Ae Abr-e-Karam (from "Naseeb Apna Apna") | Ahmed Rushdi | C Major | 5 | 8B | 100 BPM | ||
| Husn Ko Chand (from "Payal Ki Jhankar") | Salim Raza | C Major | 5 | 8B | 101 BPM | ||
| Meri Chalti Phirti Phoolwari | Maya Banerjee, Satish | A♭ Major | 9 | 4B | 160 BPM | ||
| Aksar Shab-E-Tanhai | Reshma | B♭ Major | 2 | 6B | 98 BPM | ||
| Teri Ulfat Main Sanam | Zubaida Khanum | F Major | 3 | 7B | 82 BPM | ||
| Tya Phulanchya Gandh | Hridaynath Mangeshkar | E Major | 1 | 12B | 67 BPM | ||
| Yeh Nain Dare Dare | Hemant Kumar | E Major | 3 | 12B | 93 BPM | ||
| Awaz De Kahan Hai | Noor Jehan, Surendra | E Major | 2 | 12B | 76 BPM | ||
| More Balapan Ke Saathi | Khurshid Bano, K. L. Saigal | C Major | 2 | 8B | 101 BPM | ||
| Woh Paas Rahe Ya Door | Suraiya | D♭ Major | 3 | 3B | 122 BPM | ||
| Roya Karenge Aap Bhi Paheron Ki Tarah | Ghulam Ali | D♭ Minor | 2 | 12A | 140 BPM | ||
| Main Baithi Thi Phulwari Mein -2 | K. L. Saigal | B♭ Major | 3 | 6B | 77 BPM | ||
| Salam-E-Hasrat Qubool Kar Lo | Sudha Malhotra | A Major | 1 | 11B | 182 BPM | ||
| Dil Ki Baat Kahi Nahin Jaati | Begum Akhtar | E♭ Major | 2 | 5B | 86 BPM | ||
| Ghunghat Ke Pat Khol | Geeta Dutt | C Minor | 1 | 5A | 102 BPM | ||
| Thukra Rahi Hai Duniya | K. L. Saigal, Kamala Chatterjee | B♭ Minor | 5 | 3A | 134 BPM | ||
| Rumjhum Barse Badarwa | Zohrabai Ambalawali | F♯ Major | 4 | 2B | 80 BPM | ||
| Abhi To Main Jawan Hoon | Malika Pukhraj | B♭ Major | 1 | 6B | 129 BPM | ||
| Husn Hai Ya Koi Qayamat Hai | Mohammed Rafi, Aarti Mukherji | E♭ Major | 7 | 5B | 141 BPM | ||
| Duniya Ko Nahin Manzoor | Suraiya | G Minor | 2 | 6A | 137 BPM | ||
| Tum Mera Paas Raho | Nayyara Noor | E♭ Major | 2 | 5B | 148 BPM | ||
| Ami Je Jalsaghare Stereo | Sandhya Mukherjee | G Major | 4 | 9B | 129 BPM | ||
| Ei Sanjhjhara Lagane | Sandhya Mukherjee | B Major | 1 | 1B | 83 BPM |