On 2004, the song "Studies for Player Piano (Transcribed for Piano Duet): No. 9" was released by Conlon Nancarrow, Bugallo-Williams piano duo. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "Nancarrow: Studies and Solos". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Studies for Player Piano (Transcribed for Piano Duet): No. 9 is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Studies for Player Piano (Transcribed for Piano Duet): No. 9 by Conlon Nancarrow, Bugallo-Williams piano duo having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Concerto "To the Memory of an Angel": I. Andante – Allegretto | Alban Berg, Berliner Philharmoniker, Frank Peter Zimmermann, Kirill Petrenko | G Major | 1 | 9B | 70 BPM | ||
| Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | D Major | 2 | 10B | 107 BPM | ||
| Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM | ||
| What's This? | Henry Cowell | F♯ Minor | 3 | 11A | 117 BPM | ||
| Petrouchka / Tableau I: Fête populaire de la semaine grasse | Igor Stravinsky, Cleveland Orchestra, Pierre Boulez | D Minor | 2 | 7A | 116 BPM | ||
| In the Light of Air: II. Serenity | Anna Thorvaldsdottir, International Contemporary Ensemble | C Major | 1 | 8B | 69 BPM | ||
| 5 Pieces for String Quartet: No. 1, Alla Valse Viennese | Erwin Schulhoff, Aviv Quartet | C Major | 2 | 8B | 82 BPM | ||
| Piano Sonata No. 1 - Mässig bewegt - Stereo Version | Alban Berg, Glenn Gould | B Major | 1 | 1B | 104 BPM | ||
| Sinfonietta: 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | E♭ Minor | 3 | 2A | 60 BPM | ||
| Studies for Player Piano: Study No. 14 | Conlon Nancarrow, Ensemble Modern, Ingo Metzmacher | E Minor | 0 | 9A | 109 BPM | ||
| Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: I | Morton Feldman, Ensemble Recherche | C Major | 0 | 8B | 72 BPM | ||
| Black Angels, Thirteen Images from the Dark Land, Departure: I. Threnody I "Night of the Electric Insects" | George Crumb, Quatuor Hanson | F Minor | 1 | 4A | 113 BPM | ||
| Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Minor | 0 | 3A | 82 BPM | ||
| Solfeggio | Arvo Pärt, NYYD Quartet, Paul Hillier | C Major | 0 | 8B | 80 BPM | ||
| 3 Danzas Argentinas, Op. 2: No. 2, Danza de la moza donosa | Alberto Ginastera, Fernando Viani | B Major | 0 | 1B | 72 BPM | ||
| Turangalîla Symphonie: 2. Chant d'amour 1 | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | D♭ Major | 2 | 3B | 153 BPM | ||
| In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello | Georg Friedrich Haas, Ensemble Recherche | G Minor | 0 | 6A | 127 BPM | ||
| Studies for Player Piano: Study No. 2 | Conlon Nancarrow, Ensemble Modern, Ingo Metzmacher | C Minor | 0 | 5A | 67 BPM | ||
| Riessler: Deceleration | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Dance for cello and orchestra: IV. in your blood | Anna Clyne, Phion Symphony Orchestra, Maja Bogdanovic, Xandi van Dijk | D Major | 2 | 10B | 107 BPM | ||
| Parlour Games | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 2 | 8A | 130 BPM | ||
| The Rite of Spring: Part Two: The Sacrifice: Ritual Action of the Ancestors | Igor Stravinsky, Teodor Currentzis, musicAeterna | G Major | 0 | 9B | 110 BPM | ||
| Nancarrow: 3 Canons for Ursula: No. 1, Canon 5/7 | Conlon Nancarrow, Thomas Adès | G Major | 0 | 9B | 97 BPM | ||
| Sextet: III. Crotchet = 64 | Steve Reich, Colin Currie, Colin Currie Group | D Major | 2 | 10B | 107 BPM | ||
| Klavierstück V, Work No. 4: Klavierstuck V, Work No. 4 | Karlheinz Stockhausen, Fredrik Ullén | D♭ Major | 0 | 3B | 95 BPM |