Duke Ellington's ' "Second Line" was released on its scheduled release date, August 15, 1987. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "New Orleans Suite". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, Second Line is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Second Line by Duke Ellington having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Avalon | Art Farmer & Benny Golson Jazztet | F Major | 4 | 7B | 92 BPM | ||
| Birks' Works | Dizzy Gillespie | C Minor | 4 | 5A | 132 BPM | ||
| Tiptoe - Remixed & Remastered 1994 | Thad Jones, Mel Lewis | A♭ Major | 2 | 4B | 80 BPM | ||
| Too Young To Go Steady | John Coltrane Quartet | F Major | 2 | 7B | 130 BPM | ||
| Kids Are Pretty People | Thad Jones | F Major | 2 | 7B | 123 BPM | ||
| Blues And The Abstract Truth | Oliver Nelson, Daniel Moore | G Minor | 6 | 6A | 116 BPM | ||
| Django - Rudy Van Gelder Edition / Remastered 1999 | Grant Green | B♭ Minor | 4 | 3A | 117 BPM | ||
| Get Up | Bob Mintzer Big Band | B♭ Minor | 6 | 3A | 103 BPM | ||
| Magic Flea | Count Basie | B♭ Major | 8 | 6B | 81 BPM | ||
| When I Fall In Love | Bill Evans, Scott LaFaro, Paul Motian | E♭ Major | 0 | 5B | 162 BPM | ||
| Central Park North | Thad Jones, Mel Lewis | E♭ Major | 5 | 5B | 123 BPM | ||
| Come Rain Or Come Shine (Take 5) | Bill Evans, Scott LaFaro, Paul Motian | C Major | 1 | 8B | 87 BPM | ||
| Without a Song - Remastered | Sonny Rollins | A♭ Major | 3 | 4B | 112 BPM | ||
| Tourist Point of View | Duke Ellington | A Minor | 4 | 8A | 149 BPM | ||
| Wooden Steps | Kenny Garrett | F Minor | 8 | 4A | 79 BPM | ||
| It Only Happens Every Time - Remixed & Remastered 1994 | Thad Jones, Mel Lewis | C Minor | 3 | 5A | 112 BPM | ||
| Symphony in Riffs | Jazz At Lincoln Center Orchestra, Wynton Marsalis | F Minor | 6 | 4A | 92 BPM | ||
| Strange Meadow Lark | The Dave Brubeck Quartet | A♭ Major | 1 | 4B | 125 BPM | ||
| Filthy McNasty | Horace Silver Quintet | F Minor | 7 | 4A | 96 BPM | ||
| Nippon Soul (Nihon No Soul) | Cannonball Adderley Sextet | A♭ Major | 3 | 4B | 138 BPM | ||
| Smack Dab In The Middle | Joe Williams | C Minor | 5 | 5A | 123 BPM | ||
| Concerto for Cootie - 1999 Remastered | Duke Ellington | B♭ Minor | 6 | 3A | 95 BPM | ||
| Boogie Stop Shuffle | Charles Mingus | B♭ Minor | 5 | 3A | 129 BPM | ||
| Chitlins Con Carne | Kenny Burrell | A♭ Major | 3 | 4B | 133 BPM | ||
| Das' Dat - Digital Remaster/2006 | Jackie McLean | F Minor | 5 | 4A | 140 BPM |