On January 1, 2010, the song "Addicted to a Dollar" was released by Doug Stone. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 14 in Doug Stone by Doug Stone. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Addicted to a Dollar is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Addicted to a Dollar by Doug Stone is Vivace (lively and fast), since this song has a tempo of 163 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Don't Count The Cost | Billy Dean | E Major | 3 | 12B | 133 BPM | ||
| Trouble On The Line | Sawyer Brown | A Major | 7 | 11B | 101 BPM | ||
| Watch Me | Lorrie Morgan | F Major | 6 | 7B | 152 BPM | ||
| Let Go Of The Stone | John Anderson | C Major | 4 | 8B | 97 BPM | ||
| Come In Out of the Pain | Doug Stone | A Major | 4 | 11B | 71 BPM | ||
| That's Why I'm Here | Kenny Chesney | E Major | 3 | 12B | 137 BPM | ||
| Politics, Religion And Her | Sammy Kershaw | E Major | 4 | 12B | 67 BPM | ||
| When the Bartender Cries | Michael Peterson | C Major | 4 | 8B | 74 BPM | ||
| Don't Talk to Me That Way | Tracy Lawrence | G Major | 4 | 9B | 82 BPM | ||
| One Promise Too Late | Reba McEntire | C Major | 3 | 8B | 79 BPM | ||
| Moon Over Georgia | Shenandoah | A Major | 5 | 11B | 90 BPM | ||
| Love at the End of the Road | Kevin Sharp | E Major | 4 | 12B | 208 BPM | ||
| A Little Past Little Rock | Lee Ann Womack, Jason Sellers | E Major | 6 | 12B | 172 BPM | ||
| Rebecca Lynn | Bryan White | D Major | 4 | 10B | 80 BPM | ||
| Southern Grace | Little Texas | E Minor | 3 | 9A | 129 BPM | ||
| Pocket Full Of Gold | Vince Gill | F Major | 4 | 7B | 82 BPM | ||
| Mama Knows The Highway | Hal Ketchum | A Major | 6 | 11B | 163 BPM | ||
| Places I've Never Been | Mark Wills | A Major | 4 | 11B | 94 BPM | ||
| Whenever You Come Around | Vince Gill | B Major | 2 | 1B | 115 BPM | ||
| The Bluest Eyes In Texas | Restless Heart | B♭ Major | 5 | 6B | 114 BPM | ||
| I See It Now | Tracy Lawrence | F Major | 4 | 7B | 92 BPM | ||
| You Have The Right To Remain Silent | Perfect Stranger | D Major | 4 | 10B | 164 BPM | ||
| What I Meant to Say | Wade Hayes | F Major | 3 | 7B | 77 BPM | ||
| Wish You Were Here | Mark Wills | F Major | 4 | 7B | 138 BPM | ||
| The Moon Over Georgia | Shenandoah | A Major | 4 | 11B | 89 BPM |