Paula Nelson's ' "Standing Tall" was released on its scheduled release date, March 4, 2000. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 16 in Fireflies by Paula Nelson. Standing Tall is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Standing Tall by Paula Nelson is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fading Memory | Eilen Jewell | D Major | 8 | 10B | 125 BPM | ||
| Summer Wages | Matthew Barber, Jill Barber | G Major | 7 | 9B | 138 BPM | ||
| Hold Back The Tears | Jessi Colter | G Major | 3 | 9B | 112 BPM | ||
| Scarlet Angels | Eleanor McEvoy | F♯ Minor | 4 | 11A | 132 BPM | ||
| Oxford Town | Ray Bonneville | E♭ Major | 3 | 5B | 92 BPM | ||
| Wish I Was | Gretchen Peters | F Minor | 2 | 4A | 76 BPM | ||
| Robber's Highway | John Hiatt | C Major | 2 | 8B | 137 BPM | ||
| I Got Plenty | Big Daddy Wilson | A Major | 4 | 11B | 172 BPM | ||
| Three Chords and Truth | Lynn Miles | A♭ Major | 4 | 4B | 136 BPM | ||
| Tryna Let It Go | Steve Forbert | D Major | 6 | 10B | 78 BPM | ||
| Lovesick Blues | The Little Willies | G Major | 3 | 9B | 88 BPM | ||
| Pockets | Ruth Moody | B♭ Minor | 2 | 3A | 145 BPM | ||
| Speed of the Sound of Loneliness | Nanci Griffith | C Major | 4 | 8B | 146 BPM | ||
| Chase The Feeling | Paula Nelson | D Major | 7 | 10B | 76 BPM | ||
| Drop In A Bucket | Mary Gauthier | A Major | 4 | 11B | 159 BPM | ||
| Sometimes We Cry | Shana Morrison | B♭ Major | 4 | 6B | 74 BPM | ||
| You Were Never Mine | Janiva Magness | C Major | 2 | 8B | 112 BPM | ||
| My Favorite Goodbye | David Olney, Anana Kaye | G Major | 6 | 9B | 107 BPM | ||
| Just Say She's A Rhymer | Mary Gauthier | A Major | 3 | 11B | 115 BPM | ||
| Lonesome On'ry and Mean | Paula Nelson | A Major | 8 | 11B | 109 BPM | ||
| Till I'm Too Old to Die Young (feat. Fats Kaplin) | Kieran Kane, Kevin Welch, Fats Kaplin | D Major | 3 | 10B | 81 BPM | ||
| Be That As It May | Willie Nelson, Paula Nelson | D♭ Minor | 5 | 12A | 142 BPM | ||
| Maybe You Should've Been Listening | Jessi Colter | B Major | 4 | 1B | 112 BPM | ||
| Somedays You Write The Song | Guy Clark | C Major | 3 | 8B | 81 BPM | ||
| Marlene | John Hiatt | B Major | 6 | 1B | 139 BPM |