"Over Hill, over Dale" by Alexandra Harwood had its release date on October 6, 2020. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 29 in All Creatures Great and Small (Music from the Television Series) by Alexandra Harwood. Over Hill, over Dale is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Over Hill, over Dale by Alexandra Harwood is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Opening Day | William Ross | D Major | 2 | 10B | 102 BPM | ||
| Mrs Pumphrey | Alexandra Harwood | F Major | 2 | 7B | 81 BPM | ||
| The Slipstreams of Time (Bonus Track) | Jack Dalton | D Major | 0 | 10B | 130 BPM | ||
| Love Story | Samuel Sim | D Major | 1 | 10B | 50 BPM | ||
| The Last Andante | Alexandra Harwood | A Minor | 1 | 8A | 178 BPM | ||
| Through the Window | Anthony John, Alexandra Harwood | B♭ Major | 6 | 6B | 81 BPM | ||
| The Call | Anthony John, Alexandra Harwood | A Minor | 2 | 8A | 68 BPM | ||
| Sleeping Mind | Sibille Crawford, Neon Lilith, Mara Xantal | A Minor | 2 | 8A | 68 BPM | ||
| Chelsea Theme | Colm Mac Con Iomaire, Carol Keogh, Glen Hansard, Markéta Irglová, Damien Buckley, Mulatu Astatke | C Major | 3 | 8B | 128 BPM | ||
| From Gelato to Love | Kostas Christides | A Major | 1 | 11B | 120 BPM | ||
| Glory of Cyrodiil (from "The Elder Scrolls IV: Oblivion") | London Music Works, Scott Buckley | C Minor | 1 | 5A | 122 BPM | ||
| Morning On Boston Common | Randy Edelman | E♭ Major | 4 | 5B | 80 BPM | ||
| Drought | BBC Concert Orchestra, Sarah Class | B Minor | 2 | 10A | 79 BPM | ||
| We Must Rewild The World | Steven Price | E Major | 1 | 12B | 68 BPM | ||
| The Park - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 2 | 8B | 80 BPM | ||
| Brideshead Revisited: No. 12, The Lido | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | D Minor | 2 | 7A | 139 BPM | ||
| Paper and Pen | James Shearman, Nick Ingman | D Major | 1 | 10B | 81 BPM | ||
| Oars | Alexandre Desplat | G Major | 5 | 9B | 132 BPM | ||
| Rose Garden | Adrian Johnston | E Major | 0 | 12B | 83 BPM | ||
| I Will Come for You | David Hirschfelder | F Major | 3 | 7B | 89 BPM | ||
| Main Title (Film Version) | Michael Lang, Joshua Bell | A Major | 1 | 11B | 56 BPM | ||
| Making Love | Peter Gregson | G Major | 0 | 9B | 167 BPM | ||
| Analog Prince (Sunrise) | Geoff Zanelli | C Minor | 1 | 5A | 122 BPM | ||
| Sand Between Stars | Joseph R Dolan, Ghibli | A Major | 3 | 11B | 142 BPM | ||
| Yarmouth | Christopher Willis | G Major | 2 | 9B | 74 BPM |